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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

4K is sooo last week. Get ready for 8K

September 5, 2014, 01:22 PM

http://www.redsharknews.com/technology/item/1985-4...

At the IFA show in Berlin, LG is not only showing off its range of curved OLED 4K TVs but also a 98-inch 8K monster. 4K8KIFALGTelevisionOLED

Post Production in Lisbon

September 5, 2014, 04:36 AM

http://vanhurkman.com/wordpress/?p=3058

I was fortunate enough to be hired to consult with Jennifer Mendes, the colorist at Lisbon post production facility Loudness Films. Comprised of four principals (Branko Neskov doing sound, Pedro Ribeiro doing editing, Jennifer Mendes doing color, and Nuno Oliveira taking care of the business side of things) this two-story facility has fantastic mixing, recording, and grading rooms designed by Joules Newell (Newell Acoustic Engineering) whom I also happened to meet as he was working on the additi...

DaVinci Resolve 11 - A Review: Part 3

September 4, 2014, 12:35 PM

http://news.doddleme.com/equipment/blackmagic-desi...

doddleNEWS’ Jeremiah Hall is taking a look at Blackmagic Design’s DaVinci Resolve 11. For part one of the article, click here. For part two, click here.

Why THAT Color? Why Not? Interview with Aleksandar

September 4, 2014, 09:42 AM

http://www.tomparish.com/2014/09/color-interview-a...

I’m beginning to understand more deeply that COLOR is more than a well-defined, well-behaved set of terms we all share regarding the physical ordering of colors and our assignment of the use of colors in society and culture.

Does White Balancing Matter Anymore?

September 3, 2014, 01:26 PM

http://www.premiumbeat.com/blog/does-white-balanci...

We take a look at the importance, or should we say unimportance of white-balancing in a digital world.

Blackmagic didn’t quite remove the Band-Aid afte

September 2, 2014, 04:43 PM

http://provideocoalition.com/atepper/story/blackma...

In June 2014, I published an article stating that Blackmagic had finally removed the Band-Aid for original DreamColor monitor users, based upon information published in their own ReadMe and a direct statement from Blackmagic’s US president, which I quoted. In mid August, I went to Guatemala to configure a system, and discovered that RGB over HDMI wasn’t really available. After a few weeks of email exchanges, Blackmagic has finally clarified their position via the public relations department.

How Color Correction Alters a Film’s Tone

September 2, 2014, 12:36 PM

http://filmmakermagazine.com/87395-watch-how-color...

Color correction is often the least talked about, most overlooked portion of the post-production process. Alex Bickel has spoken out about how grading can alter the presumed production value of a film, and a recent guest post from Michael Medaglia and Jalal Jemison discussed the importance of communicating your story through the process. This video from the International Colorist Academy offers a nice visual supplement to the aforementioned claims, as it demonstrates the colorist’s ability to ...

DaVinci Resolve 11 - A Review: Part 2

September 2, 2014, 09:53 AM

http://news.doddleme.com/equipment/blackmagic-desi...

I take a look at Blackmagic Design’s DaVinci Resolve 11, with part two – a look at media management, preferences, and editing. For part one of my review, click here.

How to Use the DSC Labs OneShot, X-rite ColorCheck

September 1, 2014, 05:11 AM

http://wolfcrow.com/blog/how-to-use-the-dsc-labs-o...

In this article we’ll learn how to use the DSC Labs OneShot, X-Rite ColorChecker (or Macbeth) or the DataColor SpyderCheckr with Davinci Resolve to match color. If you’re new to Resolve, I recommend you read my DaVinci Crash Course for Beginners before proceeding.

Insights into the Craft of Color Grading

August 25, 2014, 04:37 PM

http://www.premiumbeat.com/blog/insights-into-the-...

Learn from the best! In this post we share some tips from professional color grading case studies.

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