It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 25, 2020, 04:37 PM
https://www.artofvfx.com/project-power-ivan-moran-...
In 2017, Ivan Moran explained the work of Framestore on GHOST IN THE SHELL. He then worked on MOWGLI. He talks today about his work as Overall VFX Supervisor on the movie Netflix, PROJECT POWER...
August 25, 2020, 01:13 PM
http://www.cgchannel.com/2020/08/borisfx-launches-...
BorisFX has launched BorisFX Suite, a new all-in one product bundle of its VFX and motion graphics tools.
August 14, 2020, 02:31 PM
https://beforesandafters.com/2020/08/14/siggraph-2...
SIGGRAPH 2020 is fully virtual this year, but that doesn’t mean that there’s any shortage of computer graphics content to check out. One area I always concentrate on at SIGGRAPH is the Talks. These tend to feature, amongst other things, VFX, animation and game studio presentations on very specific aspects of production, such as new tools that were built or new R&D techniques that were developed on recent projects.
August 10, 2020, 01:15 PM
https://beforesandafters.com/2020/08/10/behind-pro...
A couple of weeks ago I stumbled across Prop Store’s catalog for their Live Auction of Hollywood memorabilia happening on August 26th and 27th. In it was featured a ton of models, miniatures and VFX props that will go up for auction. And I tweeted out a whole bunch of amazing inclusions.
August 7, 2020, 01:10 PM
https://www.indiewire.com/2020/08/christopher-nola...
Just how committed is Christopher Nolan to using practical effects? Fans already know the director purchased a real Boeing 747 airplane so that he could blow it up on camera in “Tenet,” but it appears Nolan’s commitment to practical effects hits a new high in his upcoming tentpole. Speaking to ICG Magazine this month, “Tenet” editor Jennifer Lame estimated the final cut of “Tenet” has under 300 visual effects shots. Nolan told ICG, “The visual side of the film is huge in scale, b...
August 6, 2020, 01:08 PM
https://beforesandafters.com/2020/08/06/digipro-20...
One of the best pre-SIGGRAPH events every year is the Digital Production Symposium. Of course, it’s usually a physical event held in a conference room, a place where speakers and attendees get to interact. This year, it’s going virtual, but that doesn’t mean the sessions aren’t still incredible.
August 5, 2020, 04:42 PM
https://beforesandafters.com/2020/08/05/wait-there...
That work was overseen by visual effects supervisor Everett Burrell, who returned from season 1 to co-ordinate a massive VFX effort from several effects vendors for this new season, which largely takes place in 1960s Dallas, Texas.
August 4, 2020, 04:20 PM
https://www.artofvfx.com/space-force-chris-white-v...
Chris White and Aidan Martin told us in detail about the work of Weta Digital work on THE UMBRELLA ACADEMY last year. They are back with a new Netflix series, SPACE FORCE.
August 4, 2020, 01:39 PM
https://www.cined.com/boris-fx-particle-illusion-f...
The new Particle Illusion Standalone app from Boris FX complements the company’s plugin with the same name. Available for free, the app enables users to create easy-to-use motion graphics and particles that can be quickly rendered. It includes a large library of customizable particles that can be added to titles, lower thirds, and motion backgrounds.
August 4, 2020, 01:39 PM
https://beforesandafters.com/2020/08/04/the-animat...
I’m excited this week to be talking to the VFX Oscar winners from Chris Noonan’s Babe. The George Miller film has just turned a quarter-century, and befores & afters is celebrating the practical and digital effects that helped usher in a whole era of talking animal movies.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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