It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 6, 2019, 01:40 PM
https://www.animationmagazine.net/vfx/framestore-c...
The first episode of His Dark Materials aired on November 3 (BBC) and Nov. 4 (HBO), debuting with a splash with 7.2 million viewers for its U.K. premiere — making it the biggest new drama debut on British television in five years. The eight-part series has won over critics with its lavish visuals and worthy use of the source material.
November 6, 2019, 01:40 PM
http://www.fcp.co/final-cut-pro/articles/2222-oliv...
We welcome Oliver Peters to FCP.co and his first post is a cracker! Oliver interviews Steve Bayes, who up until last year was the Final Cut Pro X product manager. They talk about the FCPX development process, squashing bugs, the now infamous launch, why ProRes was needed and of course the future of video production. A rare opportunity to get some historical background information about FCPX - Essential reading!
November 5, 2019, 08:16 PM
https://www.studiodaily.com/2019/11/izotopes-dialo...
iZotope released Dialogue Match, a new software tool the company claims analyzes the "sonic character" of dialogue recordings to better match tracks captur
November 5, 2019, 08:16 PM
https://news.creativecow.net/story/898988
(San Jose, CA--November 4, 2019) Today at Adobe MAX, Adobe announced the latest release for Creative Cloud, empowering video professionals to work smarter, deliver faster, and do more creatively, including Auto Reframe in Premiere Pro, which previewed at IBC earlier this year. Available today, the new versions of Premiere Pro, After Effects, Character Animator, Audition, and Premiere Rush offer performance improvements and workflow refinements that empower you to work smarter, deliver faster, an...
November 5, 2019, 08:16 PM
https://www.provideocoalition.com/day-1-adobe-max-...
Last year, I was invited to attend Adobe MAX and to say I was overwhelmed would be an understatement. You expect a conference and get a summer camp. As someone tasked with summarizing the event it becomes incredibly difficult to do everything available, as there are at least 3 talks going on at any given time. This year, thankfully, I feel much more prepared and as such will attempt to extract only the most relevant information for you while still conveying the true MAX experience, which I think...
November 5, 2019, 05:16 PM
https://www.provideocoalition.com/transcriptive-2-...
I’ve been a big fan of Digital Anarchy’s Transcriptive tool for transcription and working with text inside of Adobe Premiere Pro since the beginning. I did an extensive review of Transcriptive when it was released and while I loved the tool it was worth noting that it was mostly a sequence-based tool when it came to using Transcriptive to build your edit. Yes, you could send your transcription data to a master clip by exporting to clip markers or speech metadata but when it came to assemblin...
November 5, 2019, 02:08 PM
https://www.provideocoalition.com/the-november-201...
It’s Monday of Adobe MAX 2019 so that must mean new and cool stuff for the Adobe video tools. After a quiet IBC where Adobe’s focus was less on new... The post The November 2019 release of Adobe Premiere Pro and the other Adobe Video Apps is here appeared first on ProVideo Coalition.
November 5, 2019, 02:07 PM
https://nofilmschool.com/whats-new-premiere-pro-cc...
I’m always excited when the editing software of my choice gets an update. But to be honest with you, this November 2019 Adobe Creative Cloud update...is below my expectations.
November 5, 2019, 02:07 PM
https://www.animationmagazine.net/technology/adobe...
Monday at the Adobe MAX event, Adobe announced the latest release for Creative Cloud, empowering video professionals to work smarter, deliver faster, and do more creatively.
November 5, 2019, 02:07 PM
https://hsuoracle.com/11276/opinion/the-journey-of...
Larry Jordan has been in the business of film editing for nearly forty years. “I grew up in a film family to tell you the truth,” Larry said. “My grandfather cranked nickelodeons as far back as when he was a kid, then he became a sound engineer. Then my father became a film editor, you know that was just the way you did it in those days. I was kind of lucky in that respect that I did want to pursue the motion picture business.”
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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