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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Agence: cinematic storytelling with artificial intelligence

March 27, 2021, 10:06 AM

https://www.provideocoalition.com/agence-cinematic...

Would you play god to intelligent life? That’s the key question that Agence presents. This dynamic short-film merges cinematic storytelling, artificial intelligence, user interactivity and is never the same twice.

#artificial intelligence
Will ‘Sound of Metal’ continue the Oscar trend of winning both Film Editing and Sound?

March 27, 2021, 10:03 AM

https://www.goldderby.com/article/2021/sound-of-me...

You wouldn’t necessarily think that sound would go hand-in-hand with film editing, but at the Oscars, those awards have often gone to the same film. In fact, the last seven film editing winners in a row have won one or both sound awards (this year the two sound categories were consolidated). And only seven film editing winners in the last 20 years have failed to win a sound prize. Could “Sound of Metal” continue this trend?

#editing#oscars#sound#sound of metal
MANK was Edited on Premiere Pro: Explore Editors’ Insights

March 26, 2021, 08:39 AM

https://ymcinema.com/2021/03/25/mank-was-edited-on...

Netflix’s MANK is one of the most nominated films in Oscar 2021 (including Best Picture, Best Director, and Cinematography). The movie was edited on Premiere Pro, battle-testing its Production capabilities. Let’s explore what MANK’s editors have to say about the workflow, and how they sum up their experience using PP during remote operation.

#editing#premiere pro#mank
Trusting Apple Displays?

March 26, 2021, 08:38 AM

https://www.provideocoalition.com/trusting-apple-d...

In the “good old days” of post, directors, cinematographers, and clients would all judge final image quality in an online edit or color correction suite using a single, calibrated reference monitor. We’ve moved away from rooms that look like the bridge of the Enterprise into more minimalist set-ups.

#apple#display
Oscar Best Picture nominee “The Father”

March 26, 2021, 08:37 AM

https://www.provideocoalition.com/aotc-the-father/

Yorgos Lamprinos is an editor of Greek origin living and working in Paris. Yorgos edited the Oscar Best Picture nominee, The Father and was nominated for Best Editing for the film. He has already won The British Independent Film Award for Best Editing for The Father. It was also nominated for Best Film and Best Editing for this year’s BAFTAs.

#bafta#oscars#the father
The Father Editor Yorgos Lamprinos

March 25, 2021, 08:53 AM

https://www.provideocoalition.com/art-of-the-cut-p...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows and about their work on some of the biggest films and TV shows of the year.

#editing#father
Review of the VN Video Editor App for Smartphone Filmmakers

March 24, 2021, 08:50 AM

https://www.premiumbeat.com/blog/vn-video-editor-a...

Years ago, after working for several years as a run-and-gun documentary journalist for a local alternative magazine, I was asked to speak to a class of up-and-coming journalism students who were interested in learning how to better shoot and edit video content. This was during the height of a Facebook video craze, which would eventually move over towards YouTube and other new platforms like TikTok and the like.

#editing#social media#smartphone
Computer Reset Brings Peace and Happiness

March 24, 2021, 08:47 AM

https://www.videouniversity.com/computer/computer-...

Video producers make heavy use of computers. More than most, you probably install and uninstall all kinds of helper programs. You may also fill hard drives, then after a time erase them and fill them again. This is all true in my business.

#editing#hardware#computers
DaVinci Resolve 17 Fixes Major AMD Intel Graphics Cards Issue

March 23, 2021, 08:51 AM

https://www.premiumbeat.com/blog/davinci-resolve-1...

After several months in beta, DaVinci Resolve 17 is finally out, adding many new features and fixing a significant issue for users with certain AMD and Intel graphics cards (GPU).

#davinci#resolve#bugs#amd
Why Rob Legato Deserves the VES Honour

March 17, 2021, 09:03 AM

https://www.indiewire.com/2021/03/oscar-vfx-rob-le...

Three-time Oscar-winning visual effects supervisor Rob Legato (“The Jungle Book, “Hugo,” “Titanic”) — a visionary in translating virtual production into a live-action methodology for directors James Cameron, Martin Scorsese, and Jon Favreau — is the latest recipient of the Visual Effects Society’s Award for Creative Excellence. The award will be presented at the 19th Annual VES Awards, streaming worldwide on April 6.

#vfx#rob legato#virtual production#ves
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