It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 18, 2019, 10:00 AM
https://www.artofvfx.com/spider-man-far-from-home-...
Julian Foddy began his visual effects career in 2006 at DNEG. He works on films like GREEN ZONE, PAUL, FURIOUS 6 and HERCULES. He joined the ILM teams in 2015 and took care of the effects of films such as TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS, TRANSFORMERS: THE LAST KNIGHT, READY PLAYER ONE and SOLO: A STAR WARS STORY.
July 17, 2019, 09:56 AM
https://www.artofvfx.com/spider-man-far-from-home-...
Last year, Kevin Souls and Raphael A. Pimentel explained the work of Luma Pictures on ANT-MAN AND THE WASP. They then worked on THE NUTCRACKER AND THE FOUR REALMS, MARY POPPINS RETURNS, CAPTAIN MARVEL and ONCE UPON AT TIME IN HOLLYWOOD. Raphael A. Pimentel also worked on PEPPERMINT and AQUAMAN.
July 17, 2019, 06:45 AM
https://beforesandafters.com/2019/07/17/before-you...
In the 1990s, traditional 2D animation was in a major state of transition. Digital technologies were allowing animation studios, including Walt Disney Feature Animation, to do things in very different ways. Partly, that came about via Disney’s adoption of the Computer Animation and Production System (CAPS) that had been developed in conjunction with Pixar to aid in digital ink and paint, compositing, and production and library management. By the time The Lion King was released in 1994, CAPS ha...
July 16, 2019, 09:58 AM
https://www.artofvfx.com/spider-man-far-from-home-...
In 2017, Alexis Wajsbrot explained the work of Framestore on THOR: RAGNAROK. He then worked on MARY POPPINS RETURNS. He is back in the MCU with SPIDER-MAN: FAR FROM HOME.
July 16, 2019, 06:13 AM
https://www.artofvfx.com/the-dead-dont-die-alex-ha...
Before blasting zombie heads for Jim Jarmush for THE DEAD DON’T DIE, Alex Hansson took care of the visual effects of movies such as CHAPPAQUIDDICK, BORG MCENROE and MONKY. He is the founder of the studio Haymaker.
July 16, 2019, 06:12 AM
https://www.premiumbeat.com/blog/choosing-kodak-mo...
Although digital has largely taken over as the primary capture format, many filmmakers are now choosing to shoot their projects on film. Whether you’re looking for a specific creative aesthetic or just enjoying the process of film, understanding film stock options will help you in this stage of the creative process.
July 11, 2019, 01:04 PM
https://jonnyelwyn.co.uk/film-and-video-editing/th...
The Making of a Classic - Editing HEAT Revisit a legendary film in this round up of resources and insights on the making and editing of Michael Mann's Heat. Well worth picking up on blu-ray and enjoying once again!
#editing#heat#michael mannJuly 11, 2019, 09:17 AM
https://www.artofvfx.com/men-in-black-internationa...
In 2018, Alessandro Ongaro told us about the work of DNEG on ANT-MAN AND THE WASP. He explains today his work on MEN IN BLACK: INTERNATIONAL.
July 11, 2019, 09:17 AM
https://postperspective.com/review-western-digital...
By Brady Betzel Since we began the transfer of power from the old standard SATA 3.5-inch hard drives to SSD drives, multimedia-based computer users have seen a dramatic uptick in read and write speeds. The only issue has been price. You can still find a 3.5-inch brick drive, ranging in size from 2TB to 4TB, Continue reading → July 11, 2019 The post Review: Western Digital Blue SN500 NVMe SSD appeared first on postPerspective.
July 11, 2019, 06:06 AM
https://photography.tutsplus.com/articles/10-top-v...
Liquid effects for video are really popular—they add dynamism, fun, and colour! Here are ten great liquid effect templates for Adobe After Effects from Envato Elements.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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