Article Humour Video Blog Audio Industry News Site News Tutorial Press Release Events

To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

What is VFX? want to know about it?

January 12, 2021, 06:10 PM

https://www.cgwires.com/what-is-vfx/

But question comes “What is VFX”? It’s stands for visual effect. It’s a post production stage of film.

VFX Legion Creates FX for Sci-Fi Thriller, Black B

January 12, 2021, 02:06 PM

https://www.broadcastbeat.com/vfx-legion-creates-f...

VFX Legion created over 200 visual effects for ‘Black Box,’ one of the series of films in the ‘Welcome to Blumhouse’ anthology that tapped the LA/B.C.-based company’s end-to-end services. The thematically connected package of dark genre movies marks Amazon‘s first-ever global direct to services deal.

The VFX of 'Greyhound'

January 11, 2021, 02:07 PM

https://beforesandafters.com/2021/01/11/the-vfx-of...

What follows is a long chat I had with visual effects supervisor Nathan McGuinness and DNEG visual effects supervisor Pete Bebb about their work on Aaron Schneider’s Greyhound, which stars Tom Hanks as a WWII navy captain of a destroyer guarding a merchant ship convoy across the Atlantic during WWII.

Bilali Mack, superviseur VFX chez Alkemy X

January 6, 2021, 01:56 PM

https://www.3dvf.com/bilali-mack-superviseur-vfx-c...

A new episode of the Chaos Group audio podcast is online . On the menu, an interview with Bilali Mack, VFX supervisor working on films and series ( Power Book II: Ghost, One of ours ). The interview evokes in particular the tool Flame of Autodesk, the way in which Bilali Mack directs smoke and blood in the service of the narration.

'Cast Away' and the story behind Imageworks' in-ho

December 29, 2020, 02:08 PM

https://beforesandafters.com/2020/12/29/cast-away-...

In the 1990s there was a flurry of interest and developments in digital compositing. Many VFX studios had taken on tools like Quantel’s Harry, Kodak’s Cineon, Wavefront’s Composer or Discreet Logic’s Flame, while a number of node-based solutions, such as Digital Domain’s (later Foundry’s) Nuke and Nothing Real’s (later Apple’s) Shake, further emerged in this era.

How VFX Artist Created Beasts and Landscapes

December 23, 2020, 03:13 PM

https://variety.com/2020/artisans/news/monster-hun...

“Monster Hunter” director Paul W.S Anderson calls VFX head Dennis Berardi “an invaluable creative partner.” The two have collaborated on movies dating back to “Resident Evil.”

Zack Snyder Thanks Snyder Cut Supporters After Rai

December 23, 2020, 03:13 PM

https://www.cinemablend.com/news/2560556/zack-snyd...

While the chief goal of the Snyder Cut movement was to get director Zack Snyder’s fully realized vision for Justice League out to the masses, it also did some good for charity along the way. Fans have raised a lot of money for the American Foundation for Suicide Prevention in honor of Zack Snyder’s late daughter Autumn, and continue to do so even with Zack Snyder’s Justice League on course for a 2021 release. Now the filmmaker has once again thanked those who have donated money to this wor...

A 'Midnight Sky' VFX conversation—Part 1: LED wa

December 23, 2020, 03:13 PM

https://beforesandafters.com/2020/12/23/a-midnight...

George Clooney’s The Midnight Sky, now streaming on Netflix, follows action both on Earth (in the Arctic) and in space (mainly on the spacecraft Æther). The filmmakers looked to new virtual production methods, in particular LED walls using ILM’s StageCraft technology set up at Shepperton Studios, to help realize icy Arctic environments.

VFX Legion Provides OPSIS With VFX Support for Mic

December 22, 2020, 02:18 PM

https://www.broadcastbeat.com/vfx-legion-provides-...

Visualization services company, OPSIS, recently called on VFX Legion to lend its talents to Songbird, director Adam Mason’s new dystopian thriller from producer Michael Bay. As the film’s primary visual effects vendor, OPSIS provided end-to-end services – from Concept, Previs, Postvis and finalizing VFX shots to assembling the right talent for the job. OPSIS integrated Legion into its team, tapping the pioneering remote company’s...

VFX notes from the ICG 'Mandalorian' s2 panel

December 22, 2020, 02:18 PM

https://beforesandafters.com/2020/12/22/vfx-notes-...

Today, Local 600/ICG Magazine hosted an amazing panel on s2 of The Mandalorian, hosted by Executive Editor David Geffner, which dived into the LED Volume work and VFX from this season.

1 12 13 14 15 16 113

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.