It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 7, 2019, 12:19 PM
https://www.broadcastbeat.com/nugen-audios-post-bu...
GLENDALE, CA, JUNE 6, 2019 – Re-recording mixer Mark Binder has worked with some of the most notable names in the TV and film industry, including the Russo brothers, J.J. Abrams and Mark Mangini. His resumé also boasts a variety of high-profile projects such as Star Trek, Paranormal Activity, Community, Channel Zero, Deadly Class and ...
June 6, 2019, 01:21 PM
https://www.asoundeffect.com/chernobyl-hbo-sound/
The sound in HBO's 'Chernobyl' - and the interplay between sound design and score - is outstanding, and it's a great pleasure to give you the story behind it in this exclusive A Sound Effect interview. Here, supervising sound editor Stefan Henrix and sound designer Joe Beal share how they made its eerily haunting soundscape, and the lengths they went to capture and design an authentic sound for the series:
#sound#sound design#sound effects#chernobyl#chernobyl sound designJune 6, 2019, 12:09 PM
https://beforesandafters.com/2019/06/07/every-vfx-...
Today, Oscar-winning visual effects supervisor Andrew Whitehurst posted a very fun project on his Twitter account – a dice inspired by http://pocketartdirector.com that would be a quick way to give some of the hilariously common feedback in VFX dailies.
June 6, 2019, 12:09 PM
https://www.artofvfx.com/the-silence-matt-glover-v...
Matt Glover began his career in visual effects in 2007 at Mr. X. He has worked on many films such as DEATH RACE, SCOTT PILGRIM VS. THE WORLD, TRON: LEGACY, ROBOCOP and THE STRAIN.
June 6, 2019, 08:34 AM
https://www.hollywoodreporter.com/behind-screen/ca...
Composers Harry Gregson-Williams and Rupert Gregson-Williams are featured in a new episode of The Hollywood Reporter's Behind the Screen podcast series.
June 5, 2019, 12:21 PM
https://www.macrumors.com/2019/06/05/new-mac-pro-h...
The new Mac Pro is an absolute powerhouse with up to 28-core Intel Xeon processors, up to 1.5TB of RAM, up to 4TB of SSD storage, and the option for the "world's most powerful graphics card" in the AMD Radeon Pro Vega II.
June 5, 2019, 12:21 PM
https://noamkroll.com/my-thoughts-on-apples-brand-...
We’ve all been waiting a long time for the new Mac Pro to be announced, and this week Apple finally delivered one. And while it certainly impressed many of us (myself included), there was also the inevitable pushback from those who felt the new machine was just too rich for their blood.
June 5, 2019, 12:20 PM
https://www.awn.com/vfxworld/watch-danny-dimian-ta...
VFX supervisor discusses animation styles, production challenges and his efforts leading the visual effect team on Lord & Miller and Sony Pictures Animation’s Oscar-winning animated comic adventure.
June 5, 2019, 12:20 PM
https://www.artofvfx.com/pokemon-detective-pikachu...
In 2016, Pete Dionne explained to us the work of MPC on PASSENGERS. He then took care of the effects of A WRINKLE IN TIME.
June 4, 2019, 09:22 AM
https://jonnyelwyn.co.uk/film-and-video-editing/us...
6000 words on using an LG E8 (or C8/C9/E9) for film editing and grading... 1. Understanding why you should consider an OLED display for post production 2. Understanding how to connect and calibrate your OLED TV for colour accuracy in your edit suite 3. My personal perspective on what it’s like to use an 55″ LG E8 OLED in my edit suite
#lg oled#oled tv#lg e8#lg c9
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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