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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

VFX Supervisor Laurent Spillemaecker on "The Umbre

September 15, 2020, 07:54 PM

https://www.motionpictures.org/2020/09/vfx-supervi...

How were the superpowered siblings over at The Umbrella Academy going to top season 1’s armageddon-causing shenanigans? How about by dropping the whole family in Dallas, in the early 1960s, and setting their family squabbles in the context of the JFK assassination? The second season of Steve Blackman and Jeremy Slater’s Netflix’s show, based on the comic book series by Gerard Way, managed to deliver on the promise of season one by forcing the super sibs to face not only their own demons bu...

Adobe adds new features to Premiere Pro and AE

September 15, 2020, 07:54 PM

https://www.provideocoalition.com/adobe-adds-new-f...

It’s quite a busy season for Adobe right now. Adobe Video World has been ongoing this week, it was recently announced that Adobe MAX 2020 is free and open to all, and today we get the September release of Adobe Premiere Pro and After Effects. I don’t think these are huge releases but a few things of note.

REVIEW - AJA Io 4K Plus by Kevin P. McAuliffe

September 14, 2020, 04:44 PM

https://www.provideocoalition.com/review-aja-io-4k...

It’s always tricky to find where to start when you’re beefing up your home system, so that you can tackle 4K projects in your work from home/remote setup. For me, as I’ve mentioned before, portability is important.

IBC Workflow Tours: Post Production

September 8, 2020, 01:37 PM

https://www.ibc.org/news/ibc-workflow-tours-post-p...

IBC SHOWCASE is hosting a series of tours that will demonstrate how new technology is enabling all aspects of creation and production, with today’s (Wednesday) tour focusing on post-production.

After Effects Classic Course: Integrating with Ado

September 1, 2020, 11:24 AM

https://www.provideocoalition.com/after-effects-cl...

As we get asked to do more and more on each production, visual artists will be well-served to have a few simple audio skills. Adobe recognizes this, and includes an audio editing program with their suite of visual tools. Adobe tried developing their own audio program in house – Soundbooth – but about a decade [...]Read More...

ART OF THE CUT with the editor of “El Camino: A

August 31, 2020, 01:18 PM

https://www.provideocoalition.com/aotc-el-camino/

In this episode, I’m talking with Skip MacDonald, ACE. Skip is up for a Primetime Emmy nomination for Outstanding Single-camera Picture Editing for a Limited Series or Movie this year for his editing of El Camino: A Breaking Bad Movie. Skip has also edited Breaking Bad, Better Call Saul, A Series of Unfortunate Events, American [...]Read More...

New Frame.io 3.7 delivers speed, precision and sec

August 26, 2020, 04:56 PM

https://www.provideocoalition.com/new-frame-io-3-7...

The release of Frame.io 3.7 is also the official launch of the Frame.io Transfer App, which lets users upload and download large files, entire folders—or entire projects—effortlessly, with a single click.

5 best FCPX plugins from Pixel Film Studios

August 26, 2020, 01:38 PM

https://9to5mac.com/2020/08/25/fcp-x-5-best-final-...

If you’re looking to add the type of pizazz to your videos that goes beyond what’s offered natively in Final Cut Pro X, then Pixel Film Studios has you covered. For a limited time, get 30% off each of these five plugin bundles by using code 9to5pixel at checkout.

Cloud video editing and publishing on Google Cloud

August 25, 2020, 04:37 PM

https://news.creativecow.net/story/901739

(August 25, 2020) Blackbird announces webinar on cloud video editing and publishing on Google Cloud. See Blackbird in action on September 3rd for their next webinar. Cloud video editing and publishing on Google Cloud is fast, easy, scalable, remote and cost effective.

Emmy nominated editors of The Mandalorian

August 25, 2020, 04:37 PM

https://www.provideocoalition.com/aotc-the-mandalo...

Today, I’m talking with the editing team of Disney Plus’s The Mandalorian which received three of the eight nominations for OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES. The nominated episodes were Chapter 2: The Child, edited by Andrew Eisen, ACE, Chapter 4: Sanctuary, edited by Dana E. Glauberman, ACE and Dylan Firshein, and Chapter 8: Redemption, edited by Jeff Seibenick. All four are joining me today.

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