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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

TV Logic's New Monitor Ranges

April 28, 2015, 04:45 AM

http://www.definitionmagazine.com/journal/2015/4/2...

TVLogic launched a total of 12 new models at NAB 2015 for broadcast, production, post-production, digital signage and multi-viewer applications.

Tiffen's Dfx Now Supports DaVinci Resolve

April 26, 2015, 01:59 PM

http://www.definitionmagazine.com/journal/2015/4/2...

The new version 4 of Tiffen’s Dfx filter suite has added support for OFX, making it compatible with the Blackmagic Design DaVinci Resolve and Assimilate Scratch solutions, as well as the high-end Nuke visual effects program from The Foundry. Catherine Pantazopoulos, a senior colourist with La Couleur Poétique echoes the value the new OFX support brings to the Blackmagic Davinci Resolve environment, “For unique pictures and textures, I use a combination of DFX filters within Resolve for comm...

Sunday Sound Effects Roundup

April 26, 2015, 07:45 AM

http://www.pro-tools-expert.com/home-page/2015/4/2...

Just a couple of items for this week's Sunday Sound Effects Round Up.

Wowza Media Systems’ Stubenvoll on Bringing Stre

April 24, 2015, 02:48 PM

http://www.sportsvideo.org/nab2015/2015/04/nab-per...

It was a big NAB Show for Wowza Media Systems, which made some of the biggest product introductions in its history. With the new Wowza Streaming Engine Pro and Wowza Streaming Cloud, the company is looking to make streaming services — especially transcoding — more cost-effective for the various levels of content creators.

Macbook Shootout

April 22, 2015, 09:32 AM

http://barefeats.com/rmb12i4.html

We now have more comparisons of the 12" MacBook with rival Mac laptops. It can be a tough decision as to which to buy. If performance is an important factor, we have the answer.

6 Essential Reverb Tips

April 22, 2015, 09:32 AM

http://www.askaudiomag.com/articles/6-essential-re...

Propellerhead Reason users take note! Hollin Jones is all about spatial effects and in this quick read he shares six excellent tips for making the most of reverb in Reason.

Deluxe’s Cimelli on How IP Workflows Are Revolut

April 21, 2015, 02:11 PM

http://www.sportsvideo.org/nab2015/2015/04/nab-per...

With an eye on avoiding the costly investment that goes with onsite hardware, more and more broadcasters are finding ways to slim down remote productions by using IP workflows that leave a large chunk of the production operation at the broadcast center. Sitting at the center of this “at-home–production” trend at NAB 2015 was Deluxe MediaCloud, an IP-based software platform that gives broadcasters an alternative to the hardware-centric broadcast infrastructure to offer a more agile, resilie...

What I Learned About Scores on My First Feature

April 21, 2015, 02:11 PM

http://nofilmschool.com/2015/04/what-i-learned-abo...

Even though I've collaborated with composers on original scores for short films, the process of creating a score really remained a mystery to me as I ventured into my first feature film CENTS. Because I'm type-A (are there writer/directors who aren't type-A?), this musical mystery around composing scores made me anxious. So I was incredibly fortunate to have the opportunity to work with composer Kathryn Bostic as she created the score for CENTS.

Review: AudioProbe Spartan Cue 110

April 21, 2015, 02:11 PM

http://www.askaudiomag.com/articles/review-audiopr...

You may not have come across Audioprobe before, but the South Korean audio interface maker may have found their breakthrough product with the Spartan Cue 110. Hollin Jones investigates.

Take Your Sound Design Game to the Next Level

April 21, 2015, 04:54 AM

http://nofilmschool.com/2015/03/take-sound-design-...

MZed, whose educational tours, masterclasses, and recorded trainings have brought quality filmmaking training to international audiences (SNL editor Adam Epstein's Cutting Edge Tour was particularly fantastic), is back with the Sound Advice Tour hosted by Oscar-winning sound designer Frank Serafine.

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