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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Feed Heavy Auto Tune Into Your Delays To Produce I

April 3, 2019, 06:08 AM

https://www.pro-tools-expert.com/home-page/2018/10...

In this free video tutorial, brought to you with the support of Waves, we show you a cool little production trick, which you may not have used in your vocal mixes. Have you ever tried inserting a hard and fast Auto Tune effect before a delay plug-in on an effects return? If you’ve yet to try this, watch this free video tutorial to learn how to set this up and to hear how this effects chain sounds in a mix.

How to Succeed in Sound Design Pt.4

April 3, 2019, 06:08 AM

https://www.asoundeffect.com/sound-for-games-anima...

Welcome to the 4th installment in our Sound Success series; a series dedicated to helping you to grow - or kickstart - your audio business, learn new areas of audio-related work, and give you multiple revenue streams to insulate you from the ups and downs of the audio industry.

Bypass All The Plugins On A Pro Tools Track At Onc

April 3, 2019, 06:08 AM

https://www.pro-tools-expert.com/home-page/2019/3/...

In a new format we are producing videos offering tips and solutions to common problems in under a minute. In this free video tutorial we show you how easy it is to toggle all the plug-ins on a track between engaged and bypassed.

Acclaimed VFX Supervisor Lindy De Quattro Joins MP

April 3, 2019, 06:08 AM

https://www.awn.com/news/acclaimed-vfx-supervisor-...

Visual effects veteran with film credits including ‘Iron Man 2,’ ‘Mission Impossible: Ghost Protocol,’ ‘Downsizing’ and ‘Pacific Rim’ currently serves on the Executive Committee for the Academy’s VFX Branch.

The Umbrella Academy VFX Supervisor

April 2, 2019, 09:17 AM

https://www.artofvfx.com/the-umbrella-academy-ever...

Everett Burrell began his career in visual effects in 1993 on BABYLON 5. He then worked on many films such as BLADE, THE LEAGUE OF EXTRAORDINARY GENTLEMEN and THE PASSION OF THE CHRIST. As a VFX Supervisor, he took care of the effects of projects like PAN’S LABYRINTH, MAX PAYNE, A GOOD DAY TO DIE HARD and ALTERED CARBON.

1979, Spring – randythomblog

April 2, 2019, 06:33 AM

https://randythomblog.wordpress.com/2019/04/01/197...

Forty years ago this spring, Walter Murch (on far right in photo), Mark Berger, and Richard Beggs were mixing Apocalypse Now in a small studio on Pacific Avenue in San Francisco. The dark figure lurking on the far left is me. Though I had done lots of sound work before Apocalypse, it was the first…

Framestore Delivers VFX Artistry for Marvel Studio

April 2, 2019, 06:33 AM

https://www.awn.com/news/framestore-delivers-vfx-a...

Framestore VFX supervisor Christian Kaestner oversees more than 130 awe-inspiring shots for the first film in the Marvel Cinematic Universe to feature a female superhero lead.

Love, Death, and Robots VFX Supervisor

April 1, 2019, 10:49 AM

https://www.artofvfx.com/love-death-robots-tim-mil...

In 2016, Tim Miller explained his work and that of Blur Studio on DEADPOOL. He is back today to talk about LOVE, DEATH & ROBOTS.

Debbie Berman on her Fav. Captain Marvel Scenes

April 1, 2019, 10:49 AM

https://www.mpaa.org/2019/04/captain-marvels-co-ed...

In order to defeat the all-powerful Thanos, the Avengers will have to reach back in time. That doesn’t mean using the Time Stone to rewind back to before the snap, although we won’t rule that out. I’m referring to our recent trip to 90s era MCU to meet the newest and most potent Avenger.

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