It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 16, 2019, 08:56 AM
https://9to5mac.com/2019/02/15/final-cut-friday-pr...
Transitions are key building blocks for putting together cohesive videos in your NLE of choice. In Final Cut Pro X, there are many shortcuts, tips, and tricks that can be used while inserting or editing transitions. In this week’s episode of Final Cut Friday, I share 10 transition tips to help you master this vital part of the editing process.
February 16, 2019, 08:56 AM
https://www.indiewire.com/2019/02/vice-editing-han...
After cutting the subversive complexities of “The Big Short” with Adam McKay, editor Hank Corwin quickly realized that it was just a warm up for “Vice,” the Shakespearean dramedy about the unprecedented rise to power of political operative-turned VP Dick Cheney (Oscar nominee Christian Bale).
February 14, 2019, 06:22 PM
https://www.hollywoodreporter.com/behind-screen/ho...
BlacKkKlansman editor Barry Alexander Brown — who has also worked as a director and writer on both documentaries and features through his 30-year career — met Spike Lee in New York during the mid-'80s, and since then he has cut many of Lee's feature films, including Do the Right Thing, Malcolm X and Inside Man. BlacKkKlansman marks Brown's first Academy Award nomination as an editor, though he was also Oscar-nominated for his 1979 documentary The War at Home.
February 14, 2019, 06:22 PM
https://variety.com/2019/artisans/awards/avengers-...
Today’s visual effects are so high-tech that it seems quaint that Oscar nominees are chosen through a process called the Bake-Off. This live event, staged at the Academy’s Beverly Hills theater, is as far from a cooking contest as you can get. The craftspeople behind 10 shortlisted films take the stage to demonstrate, until a timer with a light flashes, how they achieved their effects.
February 14, 2019, 06:22 PM
https://variety.com/2019/artisans/awards/bohemian-...
Four of the year’s oscar sound contenders — “Black Panther,” “Bohemian Rhapsody,” “First Man” and “Roma” — share sound editing and mixing nominations, whereas “A Star Is Born” lands in mixing and “A Quiet Place” in sound editing.
February 14, 2019, 10:52 AM
https://filmschoolrejects.com/academy-broadcast-ch...
Filmmakers begin to speak out against The Academy's decision to relegate four awards to commercial breaks and the message is the clear: this is wrong.
February 14, 2019, 07:32 AM
http://vashivisuals.com/vashi-frames-traffic-2000-...
“Vashi Frames” is my project of capturing every individual shot from my favorite shows and films, compiling them into a single high-resolution image for cinematic analysis.
February 14, 2019, 07:32 AM
https://variety.com/2019/artisans/awards/the-favou...
As much as anything, the task of a film editor is to move the attention of the audience in the direction of the narrative. As biographical stories and historical drama dominate the nominated films in the category, that meant developing deep character portraits alongside factual events, and paying attention to historical reality.
February 14, 2019, 07:32 AM
https://www.asoundeffect.com/sound-success-ui-ux-s...
Welcome to the 2nd installment in our Sound Success series; a series dedicated to helping you to grow - or kickstart - your audio business, learn new areas of audio-related work, and give you multiple revenue streams to insulate you from the ups and downs of the audio industry.
February 14, 2019, 07:32 AM
https://doddlenews.com/review-crumplepop-autowhite...
CrumplePop offers a plethora of plugins for Final Cut Pro X and Adobe Premiere editors (Mac only) at affordable prices. After reviewing their fantastic audio plugins, AudioDenoise and EchoRemover, I wanted to take a look at two of their video plugins, AutoWhiteBalance and FaceBlur, which automatically corrects footage that isn’t properly white balanced, and adds a blur to a face, logo, screen, etc., respectively.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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