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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editing MLK/FBI with Laura Tomaselli

January 30, 2021, 01:16 PM

https://www.provideocoalition.com/editing-mlk-fbi-...

Recently I was given the opportunity to interview editor Laura Tomaselli about her fantastic work on the new documentary MLK/FBI directed by Sam Pollard. What follows is the transcript of that conversation, lightly edited for clarity (no one wants to read me say “um” 40 times). Essentially the entire doc is made of archival footage. [...]Read More...

Teradek Vidiu X: a new all-in-one hardware encoder

January 30, 2021, 01:16 PM

https://www.provideocoalition.com/teradek-vidiu-x-...

Teradek launches Vidiu X: a powerful HD streaming encoder solution for live streaming videographers and content creators, so you can get professional live streaming video without a production studio. The invitation is clear: go live anywhere — in 1080p and in a matter of seconds. With HDMI video connectivity, Vidiu X integrates seamlessly with cameras [...]Read More...

Editor Geoffrey Richman Talks Workflow on Apple TV

January 28, 2021, 12:44 PM

https://postperspective.com/editor-geoffrey-richma...

By Randi Altman Who we are in high school is rarely who we become, but some veer so far off of their presumed path that it’s hard to recover. This brings us to the Apple TV+ film, Palmer, which stars Justin Timberlake as a high school football star turned convict who returns to his Louisiana hometown after 12 years in prison. Continue reading → January 27, 2021 The post Editor Geoffrey Richman Talks Workflow on Apple TV Film Palmer appeared first on postPerspective.

Expand Your Skills with Maxon’s Free Webinars

January 28, 2021, 12:44 PM

http://feeds.redgiantsoftware.com/~r/redroomblog/~...

For many years at Red Giant, we provided world class training, resources, and creative support to mainly to our enterprise customers. When we merged with Maxon last year, I was fortunate to have the great trainers on Maxon’s staff join my team. Last year, with this new expanded team, we not only added Cinema 4D and Redshift to our programs, but also decided to bring all the great tips and techniques we had been providing to broadcasters, production facilities and design houses to the whole...

How Does ProRes RAW Compare to Blackmagic RAW

January 22, 2021, 01:29 PM

https://www.4kshooters.net/2021/01/22/how-does-pro...

Not too long ago getting raw video was a daunting and expensive proposition. Now there are competing raw formats that work on your average laptop. We’ve come a long way.

Senior Colorist Alex Berman Joins Goldcrest Post

January 22, 2021, 01:29 PM

https://www.nycppnews.com/senior-colorist-alex-ber...

NEW YORK CITY— Senior Colorist Alex Berman has joined the team at Goldcrest Post. Berman brings more than 20 years of experience in color grading and credits across feature films, episodic television, documentaries, and commercials. His recent work includes The Family for Netflix and executive producer Alex Gibney, College Behind Bars for WETA, Washington, and executive producer Ken Burns, and Hip Hop: The Songs That Shook America for AMC and producers Ahmir “Questlove” Thompson and Tarik ...

The Gentle Editing of 'First Cow'

January 22, 2021, 01:29 PM

https://filmschoolrejects.com/first-cow-editing/

Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay about the gentle editing of Kelly Reichardt‘s First Cow.

Influencers: Sofia Coppola and Editor Sarah Flack

January 22, 2021, 01:29 PM

https://www.indiewire.com/influencers/sofia-coppol...

Influencers: Coppola has relied on her long-time editor to carve out the unique rhythms and tonal balance of her films, while giving her the confidence to follow her distinctive voice.

MLK/FBI Director and Editor on Building a Fruitful

January 21, 2021, 12:29 PM

https://www.moviemaker.com/mlk-fbi-director-sam-po...

MLK/FBI director Sam Pollard and editor Laura Tomaselli on their Do's and Don'ts of a great director-editor collaboration.

4 Ways to Use Hybrid Cloud Storage for Post Produc

January 20, 2021, 01:33 PM

http://www.avidblogs.com/4-ways-to-use-hybrid-clou...

The post 4 Ways to Use Hybrid Cloud Storage for Post Production appeared first on Avid Blogs.

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