It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 20, 2018, 12:03 PM
https://www.aotg.com/mars-2020-rover-to-capture-sound-on-the-red-planet/
Company’s d:dicate™ 4006 Omnidirectional Microphones and its MMA-A Digital Audio Interface Onboard for Historic Mission
#dpa#dpagan communicationsDecember 20, 2018, 10:22 AM
https://www.artofvfx.com/fantastic-beasts-the-crim...
In 2017, Andy Kind told us about Framestore‘s work on PADDINGTON 2. He explains today his work on FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD.
December 20, 2018, 05:39 AM
https://www.pro-tools-expert.com/home-page/2018/12...
The Holiday Period - Get Them Before They Are Gone We have noticed a number of sound effects providers are putting out some free sound effect libraries or samplers for a limited period over the Christmas holiday period. Most of these are time limited so do not delay. Get them before they are gone.
December 20, 2018, 05:39 AM
https://filmmakermagazine.com/106489-joe-walker-st...
“A stroke, and then a slap,” says editor Joe Walker. That’s how director Steve McQueen described the tone he wanted in the opening scenes of Widows. The movie opens with a remarkable sequence, intercutting glimpses of the main characters’ family lives with images from a horrifically bloody heist gone wrong — showing, in effect, how four of the women at the heart of the film become widows. So, for example, we see Viola Davis’s Veronica Rawlings passionately kissing her husband Harry (...
December 19, 2018, 10:18 AM
https://www.asoundeffect.com/the-ballad-of-buster-...
The sound for the Coen brothers’ quirky Western, The Ballad of Buster Scruggs (currently available on Netflix) features rich Foley details, rhythmic sound elements, and sound effects-driven sequences that really shine in the mix.
December 19, 2018, 10:18 AM
https://www.mpaa.org/2018/12/how-mary-poppins-retu...
English weather wreaked havoc on best-laid plans when it came to staging outdoor sequences for Mary Poppins Returns. Director Rob Marshall expected London’s usual overcast skies to accompany Mary Poppins’ descent from the heavens early in the movie. Instead, Mother Nature delivered a perfect sunny day. The UK-based visual effects supervisor Matt Johnson recalls, “It’s supposed to be all wind and clouds but suddenly London had a massive heat wave and we got a clear blue sky.” The soluti...
December 19, 2018, 10:18 AM
https://bobbyowsinskiblog.com/2018/12/19/home-stud...
Probably the single most important area that gets overlooked in most home studios is the listening environment. While it’s possible that you can get lucky with a balanced, even sound by just setting up a couple of nearfield monitors in your room without thinking much about it, usually that’s not the case.
December 19, 2018, 06:17 AM
https://www.inverse.com/article/51901-captain-marv...
t should come as no surprise that Captain Marvel, set in 1995, will portray ‘90s culture in spectacular fashion (the trailer even features Carol Danvers crashing through a Blockbuster video store), but just how big that influence will be is still unknown.
December 18, 2018, 02:42 PM
http://designingsound.org/2018/12/18/interview-aar...
Aaron Glascock is a supervising sound editor, sound designer, and re-recording mixer with a long list of films behind him. To date he has received the MPSE Golden Reel for his work on War of the Worlds, an Oscar nomination for Birdman or (The Unexpected Virtue of Ignorance), and has received several other nominations. More […]
December 18, 2018, 12:20 PM
http://www.aotg.com/index.php?page=deadpool2
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, five Emmy nominations with three wins, and has worked on some of the most iconic films of the last thirty years. But what does it take to make Ryan Reynolds and the cast of Deadpool 2, based on comic book characters, look believable?
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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