It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 18, 2020, 01:15 PM
https://beforesandafters.com/2020/09/18/the-vfx-su...
We all know it takes many artists to deliver visual effects for a big film or television show. Which is why I wanted to get multiple perspectives from the team at Framestore for how they realized the visual effects for Henry Joost and Ariel Schulman’s Project Power, which recently premiered on Netflix.
September 17, 2020, 04:46 PM
https://www.premiumbeat.com/blog/10-tips-for-creat...
Let’s make some superpowered, space-age HUDs! These blockbuster effects are surprisingly easy to nail, and they’re a sure-fire way to add instant production value to your film and video projects.
September 17, 2020, 01:12 PM
https://beforesandafters.com/2020/09/17/an-hour-lo...
Warner Bros. has posted its ‘The Fire Rises: The Creation & Impact of The Dark Knight Trilogy’ on YouTube, a lengthy doco on the trilogy. There’s some fun VFX shots and behind the scenes material here, including a few pieces of Two-Face test footage.
September 15, 2020, 07:54 PM
https://www.artofvfx.com/star-wars-the-rise-of-sky...
Mysterious planets, iconic characters and lightsabers? Yep, you will find all of that in this really cool VFX Breakdown by Hybride about their work on STAR WARS – THE RISE OF SKYWALKER...
September 9, 2020, 04:00 PM
https://www.provideocoalition.com/maxon-announces-...
Maxon’s new Cinema 4D arrives with powerful enhancements to its animation and UV workflows, character animation toolset, and the inclusion of Magic Bullet Looks technology. Discover the R23! Breathe life into your characters and animations with outstanding new tools and workflow enhancements. That’s the clear invitation Maxon makes to creatives, announcing the new animation tools, [...]Read More...
September 2, 2020, 05:03 PM
http://www.cgw.com/Press-Center/Web-Exclusives/202...
Rising Sun Pictures Wins VFX Battle in 'The Eight Hundred' - CGW explores how leading-edge graphics techniques, including the 3D modeling, animation and visualization are used in such applications as CAD/CAM/CAE, architecture, scientific visualization, special effects, digital video, film, and interactive entertainment.
September 2, 2020, 05:03 PM
https://www.artofvfx.com/the-eight-hundred-vfx-bre...
Australian studio Rising Sun Pictures takes us into the middle of the war in the battlefield of Shanghai with this VFX Breakdown about their work on the epic Chinese film, THE EIGHT HUNDRED...
September 2, 2020, 05:03 PM
https://www.artofvfx.com/the-mandalorian-vfx-break...
Let’s go for a trip in a galaxy far, far away with the VFX Breakdown by Pixomondo about their work on THE MANDALORIAN...
September 1, 2020, 04:40 PM
https://www.motionpictures.org/2020/09/brave-new-w...
For visual effects supervisor Thomas Horton, Peacock’s new series Brave New World, which premiered on July 15, presented a serious challenge. Horton was tasked with overseeing the streaming channel’s ambitious adaptation of Aldous Huxley’s legendary sci-fi novel, which despite being published in 1932 still contains so many unkillable themes and foundational science fiction tropes it remains fresh today.
September 1, 2020, 04:40 PM
https://www.artofvfx.com/lovecraft-country-grant-w...
Grant Walker began his career in visual effects in 2006 at The Mill. He then joined MPC in 2009 before joining Framestore in 2010.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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