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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Motion Graphics Templates – FAQs

November 29, 2017, 02:44 AM

https://www.enchanted.media/motion-graphics-templa...

Everything you need to know about Motion Graphics templates for Premiere Pro. We give you the low down on these new and exciting motion graphics files (.mogrt), what they are and how they'll benefit your productions.

#adobe#after effects#premiere pro#premiere#graphics#titles#motion graphics#lower thirds#animation#video production#motion graphics templates
Blue Planet II edited on normal TV set to head off

November 25, 2017, 07:58 AM

https://www.theguardian.com/media/2017/nov/21/blue...

The makers of Blue Planet II used a normal television while editing the soundtrack of the programme because of concerns that viewers would complain about the narration not being audible.

How color helps a movie tell its story |

November 25, 2017, 07:58 AM

https://ideas.ted.com/how-color-helps-a-movie-tell...

A sunny, hopeful yellow. An introspective turquoise. An arresting, violent red. When you see a color in a film, what you see is no accident — filmmakers carefully compose each frame and make color decisions that affect your experience of watching, even if you don’t realize it. Here are the ways in which filmmakers use color to deepen narrative.

FXhome ships HitFilm Pro 6.0

November 24, 2017, 02:54 PM

http://www.cgchannel.com/2017/11/fxhome-ships-hitf...

FXhome has released HitFilm Pro 6.0, the new version of its editing, compositing, VFX and grading app, adding new timeline editing, titling and 2D animation options, including a new puppet animation tool.

Easy Pieces: 10 Local News Templates for AE

November 24, 2017, 06:55 AM

https://photography.tutsplus.com/articles/local-ne...

Creating a local broadcast means great, relevant content for your area. We’ve put together some useful video elements to let you create the look of your news programme easily, so you can focus on getting the scoop!

How the FCC is Screwing Filmmakers

November 23, 2017, 12:21 PM

https://nofilmschool.com/2017/12/indie-film-weekly...

This episode of Indie Film Weekly laments the doomed fate of Net Neutrality and the 600mhz band.

The Best Black Friday Deals for Film Editors

November 22, 2017, 09:29 AM

https://jonnyelwyn.co.uk/film-and-video-editing/th...

A quick round up of the best discounts, savings and coupon codes during Black Friday and Cyber Monday for post production professionals...

#black friday#savings
When should a filmmaker become a part of the Doc

November 20, 2017, 12:05 PM

https://nofilmschool.com/2017/11/docnyc-when-shoul...

Sometimes, the story of a documentary film is best told by inserting the filmmaker into the tale and onto the screen. This could be due to something the filmmaker experienced, or something they did, or when they serve as a narrator or host. The filmmaker might have a personal connection with the story, or due to budget or access, the film becomes more doable when the filmmaker serves a function onscreen.

Contender: Composer, Alex Heffes – Earth: One Am

November 15, 2017, 07:59 AM

http://www.btlnews.com/commentary/contender-compos...

Tracking the sun around the globe over the course of a single day, this magnificent cinematic expedition reveals wonders of the natural world from the tallest mountain peaks to the most remote jungles and harshest environments. Against this backdrop of scenic splendor, the cast of unforgettable animals is presented with humor and intimacy. Composer, Alex […] The post Contender: Composer, Alex Heffes – Earth: One Amazing Day appeared first on Below the Line.

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