It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 5, 2017, 05:20 AM
http://nofilmschool.com/2017/10/how-jealousy-kills...
Get ready, it's about to get emotional in here. And that's a little weird, right? I mean, this is an indie film blog. But even though we typically don't talk much about the emotional toll of being a filmmaker, it doesn't mean that filmmakers don't struggle with things that weaken their passion and damage their confidence. I came across a really interesting video by photographer Sean Tucker in which he talks about a rarely discussed problem that affects people not only in the indie film community...
October 4, 2017, 05:01 PM
https://9to5mac.com/2017/10/04/final-cut-pro-x-upd...
Final Cut Pro X users will be happy to hear Apple is planning an update that will arrive before the end of the year that will include support for macOS High Sierra and iOS 11 features.
October 4, 2017, 04:27 AM
https://www.moviemaker.com/archives/news/sean-bake...
Moviemaker Sean Baker edits his own (brilliant) films—like the 2017 Cannes hit The Florida Project. Here, he argues that each process informs the other.
October 3, 2017, 09:09 AM
https://blog.frame.io/2017/10/02/speeding-up-strin...
My approach to editing is simple: I spend a lot of time preparing my project, getting to know the dailies, and making sure that everything is as I need it, so I can concentrate on the cut. Basically, “sharpening my axe.”
October 3, 2017, 09:09 AM
http://variety.com/2017/artisans/production/hbo-cu...
The much anticipated ninth season of “Curb Your Enthusiasm,” which debuts on HBO on Oct. 1, ends the socially caustic comedy’s six-year hiatus. The long layoff posed a special challenge for picture editors Steve Rasch and Jonathan Corn.
October 1, 2017, 07:19 AM
http://nofilmschool.com/2017/09/inside-dolby-cinem...
Throughout history, movie theaters have evolved to attract new movie-goers. In the 1910s through the 1940s, movie "palaces" were ornately decorated theaters designed to provide patrons with an atmosphere mimicking an outdoor courtyard, complete with facades, fauna, and projectors called Brenograph that projected clouds and stars onto the ceiling.
September 30, 2017, 01:49 PM
https://blog.filmsupply.com/articles/principles-of...
Jennifer Ruff, filmmaker and editing professor at NYU’s Tisch Graduate School of Film, didn’t get her start in film, but rather literature. “I wrote poetry and didn’t like electronic things,” she told us. An MO that still seems applicable today...
September 30, 2017, 01:49 PM
https://blog.frame.io/2017/08/21/editor-as-writer/
The editor of a film or television show shapes the very core and fabric of the program in so many ways. Nowhere is this more prevalent than in documentary filmmaking.
September 21, 2017, 02:39 PM
https://jonnyelwyn.co.uk/film-and-video-editing/re...
I've updated a few posts with some really great resources that are worth a second look, if you're interested in: - The Making of Blade Runner 2049 - Free Training, Tools and Sound Effects for Editing Trailers - 6K Edit Suites for Premiere Pro Feature Film Workflows - Top 10 Most Popular Posts of 2017 (so far)
#premiere pro#post production workflowsSeptember 15, 2017, 04:06 AM
http://www.hollywoodreporter.com/news/why-toronto-...
When audiences inevitably marvel at the computer-generated worlds in Guillermo del Toro's The Shape of Water and the Angelina Jolie-produced animated drama The Breadwinner, both screening at this year's Toronto Film Festival, it will be thanks in large part to Ontario's thriving visual effects community.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.