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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The 'Apollo 13' effects you might not know about

June 30, 2020, 01:24 PM

https://beforesandafters.com/2020/06/30/the-apollo...

Ron Howard’s Apollo 13 turns 25 this week. The VFX Oscar-nominated film was one of Digital Domain’s landmark early calling cards, full of model and miniature effects and a wealth of nascent CG imagery and digital compositing created by the then-new studio.

VFX supervisors talk Amazing Stories and Stargirl

June 26, 2020, 01:09 PM

https://postperspective.com/vfx-supervisors-talk-a...

By Iain Blair Even if you don’t know who Crafty Apes are, you’ve definitely seen their visual effects work in movies such as Deadpool 2, La La Land, Captain America: Civil War and Little Women, and in episodics, like Star Trek: Picard and Westworld. Continue reading → June 25, 2020 The post VFX supervisors talk Amazing Stories and Stargirl appeared first on postPerspective.

Red Giant on Game of Thrones VFX Pt. 2: The Undead

June 18, 2020, 01:30 PM

https://library.creativecow.net/cow_creative/Red_G...

Red Giant, creator of filmmaking, visual effects and motion graphics tools, today released the second installment of its multi-part Game of Thrones visual effects tutorial series: how to turn a live horse into a member of the Night King’s undead army. Daniel “Hashi” Hashimoto demonstrates keying and compositing techniques using tools including King Pin Tracker, Spot Clone Tracker and Supercomp from the new Red Giant VFX Suite, to add and track gory effects to a very much alive horse. Watch...

VFX Outfit MPC Episodic Expands Senior Team, Launc

June 18, 2020, 01:30 PM

https://variety.com/2020/artisans/global/vfx-mpc-e...

MPC Episodic, which offers its VFX expertise to series creators, has expanded its senior team with the hire of seven key creatives. The outfit has also opened a Berlin office.

WESTWORLD Jeremy Fernsler - VFX Supervisor - DNEG

June 16, 2020, 05:21 PM

https://www.artofvfx.com/westworld-season-3-jeremy...

Jeremy Fernsler began his career in visual effects over 20 years ago. He joined DNEG in 2017. His filmography includes projects such as STAR TREK: DISCOVERY, THE DARK CRYSTAL: THE AGE OF RESISTANCE and RUNAWAYS.

A tale of 3 robots

June 16, 2020, 01:35 PM

https://beforesandafters.com/2020/06/16/a-tale-of-...

George, Harriett and The Mech. They’re the three robots DNEG crafted for season 3 of HBO’s Westworld. Here, DNEG visual effects supervisor Jeremy Fernsler and animation supervisor Ben Wiggs break down how each was achieved.

Joe Alves Sets the Record Straight on the Supposed

June 10, 2020, 04:40 PM

https://filmschoolrejects.com/joe-alves-jaws/

We chat with the production designer about the exhaustive construction of Bruce the Shark, and how the story you've heard is not the whole story.

Is Newton 3 the Ultimate AE Plugin? Here is Our Re

June 9, 2020, 05:10 PM

https://www.rocketstock.com/blog/newton-3-ultimate...

While there’s a direct start and endpoint for many effects in After Effects, with Newton 3, you can obtain a new result, and thus a new animation!

VFX Supervisor Kaitlyn Yang on Gender Equality and

June 3, 2020, 07:13 PM

https://www.laughingplace.com/w/articles/2020/06/0...

Visual Effects Supervisor and Alpha Studios founder Kaitlyn Yang recently opened up about gender equality in the film industry and how companies can become more diverse during a Walt Disney Family Museum virtual event.

How The Molecule VFX Artists Stay Remotely Connect

June 3, 2020, 12:33 PM

https://www.awn.com/news/how-molecule-vfx-artists-...

Boutique visual effects shop The Molecule has carefully crafted digital content across media since 2005. Headquartered in New York and with a second location in Los Angeles, the bicoastal studio has most recently focused on work for episodic television, delivering shots for Ballers, Billions and Happy!, as well as the feature thriller The Report. It’s long embraced Amazon Web Services (AWS) to render complex CG shots with cloud-based resources, so when exploring how to give its artists the fle...

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