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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Van muf montagehok naar wereldpremières en weer t

January 6, 2017, 01:17 PM

http://www.volkskrant.nl/film/van-muf-montagehok-n...

ARTIKELVolgende week gaat de western Brimstone in première. Gemonteerd door Job ter Burg. Aan Rob van Scheers legt hij uit hoe zijn werk een film kan maken en breken.

‘Arrival’ Editor On Manipulation Of Time And S

January 5, 2017, 04:22 PM

http://deadline.com/2017/01/arrival-joe-walker-den...

This time last year, while on the press circuit for Denis Villeneuve’s Sicario, Oscar-nominated editor Joe Walker had one project to remain tight-lipped about, with the director’s follow-up feature, the unusual and elegant sci-fi pic Arrival; and now, with the conclusion of production on Blade Runner 2049 in Budapest, he has another.

After Effects for Film Editors - Cinema 4D Edition

January 5, 2017, 03:51 PM

http://jonnyelwyn.co.uk/film-and-video-editing/aft...

Take a deep dive into the world of Cinema 4D Lite, which ships with every version of After Effects and add some 3D magic to you next project. Plus a tour of the cool new features in R18

#after effects#tutorials#free training#cinema 4d#cinema 4d lite
THX Launches New Approved Components Program

January 5, 2017, 09:57 AM

http://www.prnewswire.com/news-releases/thx-launch...

SAN FRANCISCO, Jan. 5, 2017 /PRNewswire/ -- THX, renowned for the certification of world-class cinemas and consumer goods, has launched a new program designed to help product manufacturers and brands deliver premium entertainment experiences by certifying key components used to build complete electronic devices. "Approved by THX" offers a first-time opportunity for top-tier original design manufacturers (ODM) to build superior audio and visual quality components that meet the high performance re...

Arrival VFX Breakdown: The Building of an Alien In

January 5, 2017, 09:56 AM

http://www.indiewire.com/2017/01/arrival-visual-ef...

Since its release this past November, Denis Villeneuve’s latest film “Arrival,” about a linguistics professor (Amy Adams) who is tasked with interpreting the language of newly arrived aliens, has received widespread critical and commercial acclaim. The film has grossed over $147 million against a $47 million budget and has received two Golden Globe nominations for Best Actress for Adams and Best Original Score for Jóhann Jóhannsson.

Lacie Upgrades Rugged Drive to USB-C

January 4, 2017, 11:00 AM

https://9to5mac.com/2017/01/04/lacie-rugged-drive-...

With Apple having gone all-in on USB-C, it’s no surprise that third-party manufacturers are scrambling to meet demand for compatible accessories – but LaCie is no stranger to the new port. The company began offering USB-C drives back in 2015, recently announced drives using the same super-speed SSDs used in the new MacBook Pro and has today announced USB-C versions of two of its most popular drives...

Moonlight's Editor on the Story of a Lifetime

January 4, 2017, 11:00 AM

https://www.wheretowatch.com/2017/01/moonlights-ed...

Nominated for six Golden Globes, the stunningly beautiful, brilliantly executed Moonlight was one of 2016's best films. We've spoken to composer Nicholas Brittell, breakout star Janelle Monáe and cinematographer James Laxton about how they helped bring director Barry Jenkins film to life. The story, tracking three periods of time in one young man's life—as a child, a teenager and a grown man—was based on the play by Tarell Alvin McCraney called "In Moonlight Black Boys Like Blue."

What Kodak Did Next

January 4, 2017, 07:10 AM

http://www.definitionmagazine.com/journal/2017/1/4...

Following Kodak’s new film processing plans, the company is also launching a high volume film content asset management business. But what's the end goal?

Maury Shessel - The Keys to Effective Editing

January 3, 2017, 08:42 AM

http://satprnews.com/2017/01/03/maury-shessel-l-a-...

Award-winning film editor and Emmy recipient, Maury Shessel, knows how to combine the artistic and technical elements of film editing. During a recent Q&A, he shared his experiences, accomplishments, and opinions.

Manchester By the Sea Editor Shreds Time

January 2, 2017, 12:42 PM

https://www.wheretowatch.com/2017/01/oscar-watch-e...

Writer-director Kenneth Lonergan famously spent years in the editing suite trying to achieve perfection on his previous movie Margaret. He shot the film in 2005, delivered a much debated cut in 2008 and three years later watched the picture open in two theaters. Lonergan's comeback effort Manchester by the Sea represents an astonishing return to form, widely expected to land a Best Picture Oscar nomination on the strength of Casey Affleck's moving performance as a New England man haunted by his ...

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