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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

MIT Lab Develops Glasses-Free 3D TV

December 4, 2012, 10:54 PM

http://www.psfk.com/2012/12/glasses-free-3d-tv.htm...

MIT Media Lab’s Camera Culture is developing a 3D display screen that does not require the use of special 3D glasses. While holographic TVs remain some distance in the future, this project is a much more practical solution in the short term. The project was featured in this summer’s Siggraph computer-graphics conference, where the MIT Media Lab’s Camera Culture group offered a new approach to multiple-perspective, glasses-free 3D display.

#3d#mit#labs#glasses free
The name's Glen, John Glen

December 4, 2012, 03:17 PM

http://www.cceditors.ca/2012/12/04/the-names-glen-...

The British filmmaker recalls how his memorable editing and second-unit work led to a career as the most prolific James Bond director...

#editor#john glen#british filmmaker
Apple Updates RED Workflow White Paper

December 4, 2012, 01:28 PM

http://images.apple.com/finalcutpro/docs/RED_Workf...

Apple has published an updated white paper on RED workflows with Final Cut Pro X. The new edition takes into account version 10.0.6's native ingestion features for RED files as well as providing tips for working with multiple frame sizes and more.

#workflow#fcpx#red#apple#r3d
LaCie refreshes the d2, with Thunderbolt, USB 3.0

December 4, 2012, 01:22 PM

http://9to5mac.com/2012/12/04/lacie-refreshes-its-...

LaCie announced today that it is releasing a refreshed version of its best-selling hard drive with USB 3.0 and Thunderbolt connectivity. Known as the LaCie d2 USB 3 Thunderbolt series, LaCie is offering a 3TB model for USD299.95 and latest 4TB 7200rpm hard drive option for USD399.95.

#thunderbolt#usb 3#d2
MediaStorm Guide to Enhancing CS6’s Auto-save

December 3, 2012, 08:52 PM

http://mediastorm.com/blog/2012/12/03/mediastorm-g...

This article is part of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.

#adobe#cs6#premiere pro#nle#auto-save
G-Technology G-Drive Mobile: Review and giveaway

December 3, 2012, 02:41 PM

http://www.tuaw.com/2012/12/03/g-technology-g-driv...

It's been a while since TUAW reviewed a hard drive. Recently, G-Technology sent one of their 1 TB G-Drive Mobile USB 3.0/2.0/FW drives (USD179.95) to run through the paces. That relatively low price is a result of not having a Thunderbolt interface, and since all of the new Macs are coming with USB 3.0, I thought it would be a good drive to test out. I don't currently own a USB 3.0-equipped Mac, so the benchmarks listed below were provided by my colleague Erica Sadun.

#hard drive#g-drive#hd
UNION MADE

December 1, 2012, 06:26 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

I remember sitting in the theatre watching Ingmar Bergman’s Wild Strawberries and being blown away by the visual metaphors in this movie. His opening dream sequence — the clock with no hands, the coffin spilling out of the hearse — captured my imagination.

#union#film editing
How Post Practitioners Received Recognition

December 1, 2012, 06:24 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

In his study of silent films, The Parade's Gone By…, author Kevin Brownlow described editing as "the hidden power."

#editing#film#history#hollywood#1930's
An Overview of Hollywood Editing in the 1930's

December 1, 2012, 06:22 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

As soon as the MAY-JUN 12 issue of CineMontage — featuring "The 75 Best Edited Films" as selected by Editors Guild members — arrived in mailboxes, readers’ comments immediately ensued: Why was (insert title of your favorite film here) not included? Did Rope actually make the list, or is that a joke? Was it really possible that Citizen Kane was not number one? But the overwhelming question, from a curious film scholar's point of view: Why were there no films chosen from the 1930s — the on...

#editing#film#history#hollywood#1930's
Creating a More Immersive Experience

December 1, 2012, 06:21 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

A project so reliant on the most updated, state-of-the-art filmmaking technology that it would have been inconceivable — let alone impossible to realize — even just few years ago, Life of Pi presented director Ang Lee and his editor, Tim Squyres, A.C.E., with many challenges in post-production to get this film made. Squyres discussed them with CineMontage.

#ace#editing#3d#tim squyres#life of pi#film editor

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