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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Fix it in pre: A VFX artist’s guide to motion co

September 9, 2015, 06:47 PM

http://blogs.adobe.com/aftereffects/2015/09/fix-it...

Visual effects studio enables filmmakers to achieve amazing motion control shots at a lower cost with help from Adobe Creative Cloud

Gentle Grey (10.2) | Logic X Interface Mods

September 9, 2015, 06:46 PM

https://logicxinterfaces.wordpress.com/2015/09/09/...

Here is a new theme I made for 10.2. A quick and quite simple one.

Avoid These Post-Production Pitfalls

September 8, 2015, 04:20 PM

http://www.indiewire.com/article/attention-filmmak...

This post was originally published on Film Independent's blog. It appears below with their permission.

Avid ISIS 1000: 9 Reason To Invest In Now

September 8, 2015, 12:44 PM

http://www.keycodemedia.com/key-code-media-news/av...

Get the industry-proven performance and reliability of Avid® ISIS® shared storage in a more affordable entrylevel system designed for independent editors, audio post pros, and smaller post-production houses. ISIS | 1000 offers real-time editorial collaboration and the high-speed bandwidth you need to accelerate any media workflow, without requiring you to be an IT expert to set up and manage the system. Plus, get peace of mind— no matter how challenging the production or schedule—with the ...

Review: Resolve 12 - The Editor

September 8, 2015, 05:02 AM

http://www.definitionmagazine.com/journal/2015/9/8...

My theory is that, a few years ago, Blackmagic Design realised that Resolve was turning into a Non-Linear Video Editor – almost by accident.

Building Animation in Africa

September 8, 2015, 05:00 AM

http://animationguildblog.blogspot.ca/2015/09/buil...

... Triggerfish Animation Studios, which has been called the Pixar of South Africa, received nearly 1,400 entries from storytellers and filmmakers in 30 countries for its Triggerfish Story Lab, which it launched with the support of the Walt Disney Co. and the country's Department of Trade and Industry earlier this year.

Premiere Pro - PDFviewer - Sale - Only $8

September 6, 2015, 07:35 PM

https://www.aotg.com/premiere-pro-pdfviewer-sale-only-8/

LABOR DAY SALE! - PDFviewer will be the best utility in your editing arsenal. You can open any PDF file inside the Adobe Premiere Pro interface. This will save you countless hours of switching back and forth to other applications and resizing the Adobe Premiere Pro interface. Great for Scripts, Transcriptions, Storyboards and Script Notes. On top of all that its green. Save a Tree!

#editing#adobe#premiere pro#pdfviewer
2 in 1 LINK reconform for online

September 6, 2015, 02:29 PM

https://blogs.creativecow.net/blog/13868/2-in-1-li...

In my Avid Certified Support Representative (ACSR) career, I was presented worst-case reconform scenarios, and it was my job to figure them out to make the deliverable. For Avid Symphony Tapeless reconforms, I figured out a supported Avid method that keeps master clip identification intact.

Editing 101: The Art Of Cutting - Where To Start

September 3, 2015, 04:48 PM

http://news.doddleme.com/blogs/post-production/edi...

You’ve heard the old saying that a film is written three times: First as a screenplay, then during production, and again when it’s been edited. It’s easy to find tons of information on how to write a screenplay or direct a film (I should know, I’ve written a lot on the topic of production) but editing is usually regulated to just the technical side of how to operate either Avid or Final Cut.

The VFX Show #202 Mission Impossible: Rogue Nation

September 2, 2015, 04:12 PM

http://www.fxguide.com/thevfxshow/the-vfx-show-202...

Mike Seymour, Matt Wallin and Jason Diamond accept their mission to discuss the plot and visual effects in Mission: Impossible - Rogue Nation and look back at the first Mission: Impossible film to see where the franchise's VFX started.

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