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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Free Plugin - Cassette Transport From Wavesfactory

March 19, 2021, 09:29 AM

https://www.pro-tools-expert.com/home-page/cassett...

This week’s Free Plugin is Cassette Transport, a free, tape start/stop effect of the kind previously only available to Pro Tools users via Vari-Fi, which is an AudioSuite plugin. Cassette Transport offers all the noise and mechanical clunks of a cassette player, which you can turn down if you wish, along with tape start’/stop effects up to 8 seconds or tempo syncable up to 3 bars.

#protools#plugins#sound
Why Rob Legato Deserves the VES Honour

March 17, 2021, 09:03 AM

https://www.indiewire.com/2021/03/oscar-vfx-rob-le...

Three-time Oscar-winning visual effects supervisor Rob Legato (“The Jungle Book, “Hugo,” “Titanic”) — a visionary in translating virtual production into a live-action methodology for directors James Cameron, Martin Scorsese, and Jon Favreau — is the latest recipient of the Visual Effects Society’s Award for Creative Excellence. The award will be presented at the 19th Annual VES Awards, streaming worldwide on April 6.

#vfx#rob legato#virtual production#ves
Oscar Animation Analysis: Predictable Features, Surprising Shorts, Low-Key VFX

March 16, 2021, 08:49 AM

https://www.cartoonbrew.com/awards/oscar-animation...

In a year of strong awards consensus around animated features, this category was unlikely to throw up big surprises — and indeed it didn’t. Pixar’s Soul goes in as the favorite, fresh from its wins at the Golden Globes and many other awards besides. For the first time ever, the studio has two nominated features, the other being the relatively minor Onward.

#oscars#animation
The Effect of Creativity

March 16, 2021, 08:47 AM

https://www.cgw.com/Press-Center/In-Focus/2021/The...

Visual effects, it’s such an all-encompassing term these days. You’ve got invisible effects, digital doubles, magic, and superpowers all making the impossible possible. The amount of time, manpower, and computer power needed to create these parts of TV, films, and advertising is huge, not to mention the amazing technical know-how and thought to even work out how to start to achieve them. There are many articles and a lot of plaudits who talk about this. However, there is one, undiscussed are...

#vfx#post#movies#creativity
Pixar Honoured with Five Oscar Noms.

March 16, 2021, 08:46 AM

https://www.pixarpost.com/2021/03/pixar-honored-wi...

This morning the nominations for the 93rd Academy Awards were announced with Pixar Animation Studios taking 5 total nominations. The Livestream of the nominations was held approximately at 5:00 am PST with Pixar Animation Studios being honored in three different categories - Onward: Best Animated Feature, Soul: Best Animated Feature, Soul: Best Sound, Soul: Best Score, Burrow: Best Animated Short.

#pixar#animation
Final Cut Pro 10.5 review

March 14, 2021, 04:01 PM

https://www.creativebloq.com/reviews/final-cut-pro

Apple’s Final Cut Pro was once undoubtedly among the top players in the video editing sphere, and was used by high-end cinema and TV productions. But its popularity has been overtaken by Adobe Premiere Pro and DaVinci Resolve, which have grown significantly while Final Cut has fallen behind. Nevertheless, it’s still a powerful editing application, suitable for experienced editors to create professional-standard content, and it still makes our best video editing software roundup.

#editing#fcp
CinePlay 1.7 for Mac - M1 / Big Sur support, UI re

March 13, 2021, 05:09 PM

http://www.digitalrebellion.com/blog/posts/cinepla...

CinePlay 1.7 is a major update to our media player for video and audio professionals. M1 and Big Sur support CinePlay runs natively on M1 Macs and is compatible with macOS 11 Big Sur. UI refresh We've improved the icons and UI elements to look nicer, especially on Retina displays. In particular, we overhauled the Kollaborate file browser to be more user friendly and up to date with the icons currently used on the site. General polish We've made small bug fixes and tweaks to impro...

Sound designer Gus Koven now at Barking Owl

March 12, 2021, 01:45 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Music and sound company Barking Owl (https://barkingowlsound.com) has added sound designer Gus Koven to its team. Based in LA, Koven will develop sound and music for the studio’s A-list of clients, which include Pepsi, Nike, Reebok and Facebook.  

SOUNDTRACK: Amazon Studios’ Sound of Metal

March 12, 2021, 01:45 PM

http://www.postmagazine.com/Video-Center/Gallery/S...

Sound supervisor/sound editor/sound designer Nicolas Becker and writer/director Darius Marder describes the initial methods used to create the unique soundscape of the film.

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