It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 20, 2021, 01:35 PM
https://www.creativeplanetnetwork.com/content/vfx-...
Film and television visual effects company VFX Legion delivered all of the effects for ‘Nocturne,’ director Ze Quirke’s feature film debut, for ‘Welcome to Blumhouse.’ Amazon Studios joined forces with Blumhouse Television to create the theme-related series showcasing emerging filmmakers who bring a fresh perspective to the horror genre. Legion’s team produced a mix of complex computer-generated effects that helped elevate the visceral fear and foreboding evoked by the thriller’s u...
February 20, 2021, 01:34 PM
https://www.provideocoalition.com/aotc-arthur-schm...
Today I’m talking with Arthur Schmidt, ACE. Arthur won an Emmy and an ACE Eddie for his editing of Michael Mann’s film, The Jericho Mile back in 1979 and has been winning awards and cutting iconic films ever since. He was nominated for an Oscar and an ACE Eddie for Coal Miner’s Daughter. Nominated for [...]Read More...
February 19, 2021, 01:45 PM
https://www.youtube.com/watch?v=TrmLb-IeRTM
#postproduction #COVID #NiceShoes #Senior Post #Flaborlab #Break + EnterVFX Our expert panel included Nice Shoes DI’s Katie Hinsen, Senior Post’s Josh Senior, FlavorLab’s Glenn Schloss and Break + Enter’s Dave Zeevalk.
February 19, 2021, 01:45 PM
https://www.rocketstock.com/blog/best-resolution-f...
In researching some rental gear and resources for an upcoming project, I found myself falling down a VFX rabbit hole. There is a sequence in a upcoming project that will be relatively VFX heavy, and I wanted to find the best way to not only shoot the sequence, but also to assemble stock video elements, models, assets and textures. Then with that I would also know what remaining elements I would need to be create from scratch.
February 19, 2021, 01:45 PM
https://www.awn.com/news/framestore-adds-vfx-super...
Framestore announced the appointment of Thomas Montminy Brodeur as VFX supervisor, further bolstering the company’s episodic offering under New York managing director, Charles Howell. With 15 years of industry experience, Brodeur will be charged with developing methodologies and maintaining high-end image quality across a variety of episodic projects.
February 19, 2021, 01:45 PM
https://www.pro-tools-expert.com/home-page/avid-s1...
In this free video tutorial, brought to you with the support of Avid, Julian Rodgers introduces the S1 for those who have yet to experience how this brilliant little control surface works.
February 19, 2021, 01:44 PM
https://www.pro-tools-expert.com/home-page/free-ik...
IK Multimedia are giving away a sample-based virtual instrument version of the legendary MemoryMoog analogue polysynth to all existing and new mailing list subscribers. Get this instrument before February 26th to avoid missing out.
February 17, 2021, 01:09 PM
https://www.cined.com/technicolor-look-collection-...
Each camera has a unique “color science” which, simply put, is a way how captured light translates into an image. With film cameras, color science was specified by the type of film stock used, nowadays it is a combination of the image sensor and image processor. It is quite common that manufacturers of digital cinema cameras provide a free library of creative looks that are designed specifically for their cameras. These looks (in form of Look-Up-Table files) ensure that the colors in the RAW...
February 16, 2021, 05:04 PM
https://www.aotg.com/color-grading-the-pink-cloud/
By Daniel Dode, Colorist and Lead Post Production Supervisor, Post Frontier – Brazil
#blackmagic design#sundance#davinci resolve studioFebruary 13, 2021, 03:37 AM
https://brief.promax.org/article/promomii-seeks-to...
AI Editing that recognizes objects and creates film trailers
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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