It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 12, 2014, 04:40 AM
http://us5.campaign-archive2.com/?u=42f236780088ee...
Congratulations to the winners of the editing awards at the 2014 WA Screen Awards: Roderick MacKay for Factory 293 (Best Short Form) and Nick Dunlop for Comic Book Heroes (Best Long Form). Nick also picked up the Best Direction award and Best Television Production - Factual.
September 11, 2014, 12:34 PM
http://www.askaudiomag.com/articles/sound-design-h...
Lush, rich pads are probably my favorite type of patch to make when working with synthesizers. I love the fullness that they bring to a track, especially when I get to play huge, thick chords.
September 10, 2014, 04:06 PM
http://www.artofvfx.com/?p=9070
Last year, Simon Stanley Clamp talked to us in details about the Cinesite’s work on IRON MAN 3. He then supervised the visual effects of movies such as WORLD WAR Z, ROBOCOP and EDGE OF TOMORROW.
September 10, 2014, 09:49 AM
Until recently, CGStudioMap CGSchoolMap and services, subsequently merged into a single site (CGStepInside), proposed a global map of 3D studios / VFX / Animation / Video Games / Schools. service inaccessible for several weeks now officially dead, as confirmed on Twitter Jordi Riera (co-founder of the company who published the service). Nevertheless, a new website with CGStepInside arm is placed on the same niche: VFX World Map . . Offers a global map of studios and sites teachings related to 3D...
September 9, 2014, 09:30 AM
http://motionographer.com/2014/09/09/animography-m...
Animography Monthly is a monthly recurring animation project to explore the use of animated typefaces. Joe Donaldson teamed up with Jay Quercia to take on number 8 in this series, which resulted in a film noir style short.
September 9, 2014, 04:54 AM
http://www.creativeplanetnetwork.com/news/edit/fin...
Cinematographer and editor Noam Kroll tests out video compression using the same settings on both Apple Final Cut Pro X and Adobe Premiere Pro.
September 8, 2014, 09:39 AM
http://www.pro-tools-expert.com/home-page/2014/9/8...
Last week in part 10 of this series on Audio Post Production Workflows Using Pro Tools, we looked at sound effects with Bernard O’Reilly. This week in the first of two articles Howard Bargroff, eho mixed the award winning Sherlock series, concludes this journey through the audio post production workflow bringing all the separate parts we have looked at throughout this series from the dialog editing, ADR, foley, and sound effects with mixing. Over to you Howard….
September 6, 2014, 08:12 AM
http://www.mcelhearn.com/audiences-hate-modern-cla...
“For decades critics of modern classical music have been derided as philistines for failing to grasp the subtleties of the chaotic sounding compositions, but there may now be an explanation for why many audiences find them so difficult to listen to.
September 6, 2014, 08:11 AM
http://www.pro-tools-expert.com/home-page/2014/9/6...
One of the things which first attracted me to Pro Tools was that it doesn’t do things for you. Everything in your session is there because you made it, and if you made it hopefully you understand it, and its exactly the way you want it to be.
September 5, 2014, 01:25 PM
http://www.askaudiomag.com/articles/logic-pro-x-sc...
Here's a quick and useful tip by Jay Asher for Logic Pro X users demonstrating how to hide empty measures in Logic's Score Editor, so only the instruments playing are displayed.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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