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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

AE Classic Course: Hot Looks from Floating Point

October 7, 2019, 05:56 PM

https://www.provideocoalition.com/after-effects-cl...

We’ve finished with posting movies on individual After Effects plug-ins from our Insight Into Effects course, and are turning our attention back to learning features. To this end, we’re going to be posting sets of movies that focus on individual features that are taken from several of our “retired” courses. These are features that might have been introduced in an older version several years ago, but which are still in the current version and therefore still have ideas applicable to the c...

Apple Release macOS 10.15 Catalina - Get Video Out

October 7, 2019, 05:56 PM

http://www.fcp.co/final-cut-pro/articles/2213-appl...

We have known it has been in beta for a while, but today, Apple released the next macOS - 10.15 Catalina. We answer the questions about 32-Bit apps and legacy media using old codecs, especially Avid's DNX series. But the number one new feature for us is the ability for FCPX to output the viewer video to an iPad using Sidecar!

FCP.co Live Show 6 - Win a Ticket to the 2019 FCPX

October 7, 2019, 12:55 PM

http://www.fcp.co/final-cut-pro/articles/2215-fcp-...

We have a great show this week, not only do we have Steve Martin, Jeff Greenberg and Chris Fenwick on the show to talk about the 2019 Creative Summit, we also have a ticket to give away as well. You must tune in!

CineEmerge, a free NAB Show experience for product

October 4, 2019, 04:32 PM

https://www.provideocoalition.com/cineemerge-a-fre...

The impact of consumer HDR adoption, the value of camera lens metadata and a discussion about creating a Hollywood blockbuster are some of the themes to follow during the first CineEmerge.

Delivering in Multiple Aspect Ratios for Social Me

October 3, 2019, 05:10 PM

https://www.provideocoalition.com/delivering-in-mu...

As editors, we need to deliver video to be hosted on a variety of social media platforms, often in multiple aspect ratios for each platform. For example, 16:9 for a Facebook feed post, but 9:16 for a Facebook story. Or perhaps 1:1 for Instagram. The number of different aspect ratios is a bit bewildering. Here’s a link to a good article that describes the best aspect ratio to use for various platforms.

The Hollywood Kernel Panic

October 3, 2019, 01:05 PM

https://americancinemaeditors.org/hollywood-kernel...

Last week there was a panic in the edit rooms from Los Angeles to Budapest. Apple computers running Avid Media Composer were getting an error message relating to a dongle, and upon restart the computers would not boot up.

Create a Glitch Effect in Premiere Pro in 3 Steps

October 2, 2019, 01:08 PM

https://www.premiumbeat.com/blog/glitch-effect-pre...

The glitch effect has become insanely popular in the past few years. It’s in music videos, promos, and all over social media. It’s easy to assume that this effect is hard to pull off, since most of the tutorials you see on creating the effect are made in After Effects, or they require you to buy an expensive plugin.

Editing Ad Astra

October 1, 2019, 07:32 PM

https://www.provideocoalition.com/art-of-the-cut-w...

Editor John Axelrad, ACE, has been in post-production since 1991, including a stint as Oscar-winner Anne Coates’ assistant on Out of Sight and Erin Brockovich. He’s edited dozens of features including Slither, We Own the Night, Two Lovers, Crazy Heart, Something Borrowed, Miles Ahead, and Krampus.

These are the well deserved winners of RedShark's

October 1, 2019, 12:49 PM

https://www.redsharknews.com/production/item/6685-...

Every year at IBC we make awards to those companies who we think have made significant advances, or that have introduced groundbreaking new technology into the industry. Sometimes the advancements seem subtle, but what they offer is something much more than the sum of their parts. This is our roundup of this years winners of the IBC 2019 RedShark Awards.

Forget 8K, are you ready for 32K?

September 30, 2019, 05:38 PM

https://www.redsharknews.com/technology/item/6677-...

Earlier this year Sony installed a 16K screen into the front of a cosmetics store in Yokohama, south of Tokyo. The 63ft wide screen (19.2m) screen is believed to be the largest 16K screen yet.

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