It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 12, 2014, 09:40 AM
http://www.pro-tools-expert.com/home-page/2014/5/1...
Soon Reason Expert will be launching to support the Reason Community with tips, tricks and news, again an independent site of those who are passionate and knowledgeable about Reason. Watch this space.
May 12, 2014, 03:55 AM
http://www.pro-tools-expert.com/home-page/2014/5/1...
A few users asked me to do a comparison between the two, so below are clips of bass, electric and acoustic guitar as clean, then processed through the hardware and then through the plug-in.
May 12, 2014, 03:54 AM
http://www.pro-tools-expert.com/home-page/2014/5/1...
Early findings were enlightening, but some asked if we would keep you updated. Was a fresh install just as likely to become sluggish as time went on, or would it continue to perform well?
May 11, 2014, 02:05 PM
http://www.pro-tools-expert.com/home-page/2014/5/1...
In the past we have discussed how visually impaired users can use Pro Tools with varying degrees of success. Slau Halatyn is an audio engineer and producer at BeSharp in New York City and has worked with multiple Grammy-winning artists in the world of rock, jazz, musical theater and classical music.
May 10, 2014, 04:15 AM
http://www.pro-tools-expert.com/home-page/2014/5/1...
Considering one of the principal uses Pro Tools is put to is as a multitrack recorder I’d always encourage a new user to get straight in there and actually record something. However there are many users for whom very little of the audio on their timelines will actually be recorded into that system. While importing audio into Pro Tools is straightforward there are still a few things to be aware of.
May 9, 2014, 09:44 AM
http://www.askaudiomag.com/articles/8-pro-mixing-t...
Chances are, you’re using a Master Fader on your DAW to control the overall mix. If you do, there are a few tips and tricks that can help make the sound leap out of the speakers.
May 8, 2014, 04:35 AM
http://www.pro-tools-expert.com/home-page/2014/5/8...
Slick EQ is aimed at those looking to sweeten mixes and offers an extensive set of features that belie its price tag.
May 7, 2014, 04:34 AM
http://www.avnetwork.com/av-technology/0002/how-it...
The subject of antenna placement is often overlooked in installations, particularly in AV applications. The worst case scenario is where the supplied whip antennas are attached to the receiver, which is then located in a metal rack. Not much operating range can be expected from such a poor setup.
May 6, 2014, 02:57 PM
http://pospotime.wordpress.com/2014/05/06/improvin...
In march 12, 2013, I presented a what could be my salvation to audio in a DSLR system. In that post I talked about a ETSLAN PA912, a cable that transforms Balanced audio signals to Unbalanced. Then I promised to post some tests. I only published a little sample with the Rhode NTG-2 shotgun microphone. Now, a year later and after a lot of projects, I bring you some more examples with diferent mics and situations.
#dslr#panasonic#audio test#etslan pa912#ew112p-g3#gh3#lavalier mic#olympus 12-60mm#rhode#ntg-2#sennheiser#shotgun micMay 5, 2014, 09:28 AM
http://www.askaudiomag.com/articles/designing-danc...
If you like EDM, Logic Pro X and designing sounds, you'll get a kick out of this tutorial! Darren Burgos takes you on a tour of Ultrabeat. Your mission is simple: to design your own big kicks.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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