Article Humour Video Blog Audio Industry News Site News Tutorial Press Release Events

To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Cats the movie gets a patch

December 24, 2019, 02:51 PM

https://www.redsharknews.com/post/item/6877-cats-t...

Cats opened worldwide to what we can best describe as mixed reviews on Friday 20 December and, according to The Hollywood Reporter, it seems on the same day a memo was sent to the distribution chain by Universal to expect a new version with “some improved special effects” for download over the weekend.

Like Lee Smith, editor of '1917', cut a 'one shot'

December 23, 2019, 02:38 PM

https://themediatimes.com/like-lee-smith-editor-of...

This story about Lee Smith is part of the “1917” cover pack in the Oscar Nominations Preview issue of TheWrap Oscar magazine.

An Interview with Fredrik Limsater and Rory McGreg

December 20, 2019, 01:38 PM

https://www.premiumbeat.com/blog/media-review-gian...

Browser-based creative review is already a staple for collaboration in the industry, so what does ftrack’s acquisition of Cospective mean for filmmakers?

Jinmo Yang on Cutting the Global Phenomenon – Aw

December 19, 2019, 02:25 PM

https://www.awardsdaily.com/2019/12/19/parasite-ed...

Editor Jinmo Yang has had an incredibly successful creative partnership with director Bong Joon-ho over the years all the way back to Okja and even his days as a VFX editor on Snowpiercer. Now the two have re-teamed for a third time with the genre defying Parasite. The film has become a global phenomenon with their film winning the top prize at Cannes and winning over international audiences and critics. This week, with the film at the center of every Oscar conversation, Jinmo Yang has earned hi...

Avid S1: the power of larger consoles in a solutio

December 18, 2019, 05:29 PM

https://www.provideocoalition.com/avid-s1-the-powe...

If you need the speed and software integration of Avid’s high-end consoles but are limited by space and budget, the Avid S1 is the solution.

The Magic of Cinema is in the Cut

December 18, 2019, 01:57 PM

https://www.moviemaker.com/archives/news/ford-v-fe...

Long shots may be impressive, but Ford v Ferrari director James Mangold would also like us to consider the beauty of cuts.

Editing Ford v Ferrari

December 18, 2019, 01:57 PM

https://digitalfilms.wordpress.com/2019/12/18/ford...

The challenge of bringing this clash of personalities to the screen was taken on by director James Mangold (Logan, Wolverine, 3:10 to Yuma) and his team of long time collaborators. I recently spoke with film editors Michael McCusker, ACE (Walk the Line, 3:10 to Yuma, Logan) and Andrew Buckland (The Girl on the Train) about what it took to bring Ford v Ferrari together.

Postlab brings collaborative workflows to FCP X

December 17, 2019, 05:03 PM

https://www.redsharknews.com/post/item/6864-postla...

Postlab is a new collaborative workflow tool for FCP X. The basic premise is that it lets users of the software share libraries between team members, and it can track and save changes, as well as making sure that no more than one person is working on the same library simultaneously.

Reviewing YouTube’s New Non-Linear Video Editor

December 17, 2019, 02:52 PM

https://www.premiumbeat.com/blog/youtube-non-linea...

Let’s take a look at YouTube’s offerings to see how it works, some of its editing options, and if it might be of interest for certain projects.

The Aeronauts" editor Mark Eckersley Interview

December 17, 2019, 02:48 PM

https://www.provideocoalition.com/aotc-aeronauts/

Mark Eckersley is a London-based editor who has cut features including Dredd, Filth, The Woman in Black 2, and Wild Rose, among others. He has also edited episodes of the fantastic TV shows The Crown, Black Mirror and Peaky Blinders.

1 41 42 43 44 45 262

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.