It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 3, 2020, 01:46 PM
http://www.avidblogs.com/how-recording-engineers-c...
The post How Recording Engineers Can Transition to a Home Music Production Setup appeared first on Avid Blogs.
November 2, 2020, 08:59 PM
https://filmschoolrejects.com/toy-story-sound-desi...
The Academy Awards for Best Sound Design and Best Sound Mixing have long been a confusing part of the Oscars ceremony. What’s the difference between the two categories? Not a lot of viewers knew.
November 2, 2020, 01:25 PM
https://www.asoundeffect.com/featured-sound-creato...
hen it comes to vehicle sound effects, the sound libraries from Sweden’s Pole Position Production are in a league of their own. With decades of experience recording 100s of SFX libraries of things that drive, sail and fly, their content has been used in many of the biggest films and games in existence. For maximum usability and fidelity, their libraries are always captured from multiple perspectives and with extreme high-end equipment, and their catalog features a number of rare recordings not...
November 2, 2020, 01:25 PM
https://beforesandafters.com/2020/11/02/dennis-mur...
The VIEW Conference 2020 On-Demand Edition is now available—it features more than 100 sessions from the online VIEW Conference this year.
November 1, 2020, 01:14 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — This November, Animated Women UK (www.animatedwomenuk.com) is opening up its Achieve Online Workshops to all women. Previousy only available to members, the career development workshops are now being extended to a larger audience.
October 29, 2020, 12:49 PM
https://www.artofthetitle.com/title/halloween-1978...
John Carpenter’s menacing theme for Halloween sends some into a panic and some smiling. Composed and performed by the man himself, Carpenter’s influences were Bernard Herrmann and Ennio Morricone, with whom Carpenter worked on The Thing. The opening sequence shares some similarities with a film that Carpenter adores, Roy Ward Baker’s Quatermass and the Pit.
October 28, 2020, 12:43 PM
http://www.cgchannel.com/2020/10/adobe-ships-subst...
Adobe has released Substance Alchemist 2020.3, the latest version of its material authoring software, enabling the new AI-trained Image to Material filter to generate opacity masks for texture atlases.
October 27, 2020, 05:38 PM
https://www.artofvfx.com/raised-by-wolves-boris-sc...
In 2012, Boris Schmidt explained the work of Pixomondo on THE AMAZING SPIDER-MAN. He then worked on many shows such as FURIOUS 7, POWER RANGERS, THE OA and FOR ALL MANKIND. He talks today about his work on RAISED BY WOLVES with VFX Supervisors Max Riess, Moritz Bock and Julian Lojek.
October 26, 2020, 07:36 PM
https://www.premiumbeat.com/blog/free-assets-for-v...
I think we can all agree that one of the most tedious (and annoying) things you can do as a video editor is take time (that you don’t have) to create assets yourself. Sure, we’re always going to need them, but we rarely have the budget or creative energy to make them ourselves. And that’s pretty much why PremiumBeat’s annual Free Week exists — to save you time and money.
October 26, 2020, 07:35 PM
https://motionographer.com/news/maxon-announces-oc...
Motionographer shares inspiring work and important news for the motion design, animation and visual effects communities.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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