It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 17, 2019, 04:37 PM
https://www.redsharknews.com/production/item/6649-...
Sony has been using the phrase “beyond definition” in promotional literature for a while, and it’s a very apposite slogan. We hardly need to say that...
September 17, 2019, 12:33 PM
https://www.provideocoalition.com/art-of-the-cut-w...
Kelley Dixon, ACE began her career in in the early 90s assisting on movies like Reservoir Dogs, Leaving Normal and Good Will Hunting. She moved on to edit TV series like Luck, Shameless, Breaking Bad, The Walking Dead, Halt and Catch Fire and Better Call Saul, plus TV Pilots and TV movies.
September 16, 2019, 01:09 PM
https://www.redsharknews.com/production/item/6645-...
In this video David Shapton and Bas Goossens pick some highlights from day three at IBC 2019. One of the big trends of this year is the prevalance of 6K cameras, and Bas outlines the advantages of using such resolutions in your post workflow. Meanwhile David discusses the huge leaps being taken with AI in post, highlighting some of the incredible feats that are now possible.
September 16, 2019, 01:09 PM
https://www.premiumbeat.com/blog/editor-tom-jarvis...
Editor Tom Jarvis spoke with PremiumBeat on working The Late Late Show with James Corden and that special "Carpool Karaoke" segment with a childhood idol.
September 13, 2019, 06:24 PM
https://www.studiodaily.com/2019/09/avid-media-com...
Avid filled in some workflow gaps at IBC 2019, announcing native support for Apple ProRes Raw in Media Composer as well as the ability to encode and decode ProRes in Windows.
September 13, 2019, 06:24 PM
https://www.studiodaily.com/2019/09/adobe-auto-ref...
At IBC, Adobe announced Auto Reframe, a tool for automatically reframing content for publication in different aspect ratios — notably including the oddball aspect ratios required by social media platforms.
September 13, 2019, 01:02 PM
https://www.provideocoalition.com/auto-reframe-a-p...
At IBC 2019, Adobe plans to demonstrate Auto Reframe, a new time-saving feature coming later this year to Premiere Pro. Auto Reframe intelligently reframes and reformats content for different aspect ratios, from square to vertical to cinematic 16:9 versions. It can be applied as a Transform effect to individual clips, or to whole sequences under the menu. First previewed as Project Smooth Operator at Adobe MAX 2018, Auto Reframe (like Content-Aware Fill for After Effects) is an Adobe Sensei tech...
September 11, 2019, 08:35 PM
https://petapixel.com/2019/09/11/lacie-unveils-thr...
LaCie’s rugged portable drives are extremely popular among photographers who demand the best combination of performance and durability, and starting today, they have three compelling new solid state options to choose from.
September 11, 2019, 01:38 PM
https://www.provideocoalition.com/the-art-of-the-c...
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows and about their work on some of the biggest films and TV shows of the year.
September 10, 2019, 12:55 PM
https://www.redsharknews.com/production/item/6629-...
Working together on a modern video production often means working apart. The speed and intensity of today's video productions means that editors have to work everywhere: at home, in hotels, trains and planes, as well as in the office.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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