It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 5, 2021, 09:13 AM
https://www.awn.com/vfxworld/scanline-vfx-tackles-...
Led by VFX supervisor Bryan Hirota, studio delivers 1,000 visual effects shots across 22 sequences, from Steppenwolf’s complete redo to the Flash’s epic time reversal.
May 4, 2021, 05:41 PM
https://www.prnewswire.com/news-releases/streamlan...
Streamland Media has completed the acquisition of Technicolor Post and integrated its services into Streamland’s picture, VFX, sound and marketing divisions. The acquisition brings new artists, technical experts, and strategic locations to Streamland, solidifying the company’s commitment to support a global network of award-winning talent in service to post production.
May 4, 2021, 09:37 AM
https://www.if.com.au/post-and-vfx-companies-fear-...
The Federal Government’s impending media reforms have come under fresh scrutiny from the post-production sector, which is calling for a reassessment of the proposed changes to the Post, Digital and Visual Effects (PDV) Offset.
May 3, 2021, 08:53 AM
https://www.indiewire.com/2021/05/2001-vfx-douglas...
Douglas Trumbull has been in the “2001: A Space Odyssey” business for over 50 years. The special effects guru was a young animation artist when he worked on the spaceflight short film “To the Moon and Beyond” for the 1964 World’s Fair, which caught the attention of Stanley Kubrick while in the early stages of planning his operatic space epic. Trumbull wound up learning the ropes of visual effects on the project and played a critical role in everything from the miniatures to HAL 9000’...
#vfx#douglas trumbull#stanley kubrick#2001: a space odesseyApril 30, 2021, 08:38 AM
https://www.cgw.com/Press-Center/In-Focus/2021/MPC...
Production VFX Supervisor John “D.J.” Des Jardin, MPC VFX Supervisor Pier Lefebvre and MPC Animation Supervisor Michael Langford led MPC Film’s VFX team to craft 177 shots for the Downtown Battle sequence in Godzilla vs. Kong. VFX artists from MPC Film’s Montreal, Bangalore and London studios worked together to achieve the epic clash between the two titans in downtown Hong Kong.
#mpc#godzilla vs kongApril 28, 2021, 08:57 AM
https://beforesandafters.com/2021/04/28/heres-how-...
How was that amazing mirror shot in Contact *really* done? What could the stuffie version of Goose the cat do on the set of Captain Marvel? How might the future of cinema look with purpose-built immersive pods?
#douglas trumbull#sheena duggal#shane mahanApril 27, 2021, 08:43 AM
https://beforesandafters.com/2021/04/27/vfx-firsts...
Chrome balls. Mirror balls. HDRI balls. Light probes. They sometimes go by many names, but they all do the same thing: aid in capturing the lighting conditions on set and in re-creating those conditions on your CG character or CG environment.
April 26, 2021, 08:56 AM
https://www.techradar.com/how-to/try-adobe-after-e...
If you want to start adding animation and visual effects to your video projects, then Adobe After Effects is the professional’s number-one choice for motion graphics, just like how Adobe Photoshop is among the best graphic design software that you’ll find.
April 26, 2021, 08:53 AM
https://beforesandafters.com/2021/04/26/tenet-take...
The Academy Award for Best Visual Effects went to Tenet (Scott R. Fisher, Andrew Jackson, David Lee and Andrew Lockley).
#awards#academy#tenet#best visual effects#scott fisher#andrew jackson#david lee#andrew lockleyApril 26, 2021, 08:51 AM
https://www.artofvfx.com/93rd-oscars-the-vfx-winne...
The Academy of Motion Picture Arts and Sciences has just announced the winner for Best Visual Effects!
#vfx#oscars
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.