It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 2, 2021, 01:16 PM
https://www.awn.com/news/fmx-2021-announces-initia...
Program includes sessions with director Glen Keane on the making of ‘Over the Moon;’ RISE’s Florian Gellinger and their first in-house productions, ‘Dragon Rider’ and ‘Stowaway;’ and MR. X’s creative team discussing the film adaption of ‘Monster Hunter’ video game; project submissions being accepted until February 22 for Animation Product Days.
January 22, 2021, 05:53 PM
https://www.awn.com/news/vfx-artist-ruben-vandebro...
Recently launched creative collective and technology studio Preymaker has welcomed Ruben Vandebroek to its growing team. Utilizing an advanced custom cloud-based platform created in collaboration with Amazon Web Services (AWS), the collective innovates and creates content for leading brands. VFX artist Vandebroek brings with him a wealth of experience in combining creative vision and technical expertise in CGI and emerging technology. He will lead the studio’s work on cutting edge visual effec...
January 22, 2021, 01:29 PM
https://www.awn.com/news/vfx-legion-brings-nightma...
VFX Legion recently created over 200 visual effects shots for Black Box, the latest entry in the Welcome to the Blumhouse film anthology that tapped the LA/B.C.-based company’s end-to-end services. The thematically connected series of dark genre movies marks Amazon's first-ever global direct to services deal.
January 13, 2021, 01:48 PM
https://www.animationmagazine.net/people/autodesk-...
Autodesk’s acquisition of Discreet Logic in 1999 established its leading role as a software provider to the media and entertainment industry. It also brought in exceptional talent, including Diana Colella, whose two-decade rise at Autodesk has now reached a new peak.
January 12, 2021, 02:06 PM
https://www.broadcastbeat.com/vfx-legion-creates-f...
VFX Legion created over 200 visual effects for ‘Black Box,’ one of the series of films in the ‘Welcome to Blumhouse’ anthology that tapped the LA/B.C.-based company’s end-to-end services. The thematically connected package of dark genre movies marks Amazon‘s first-ever global direct to services deal.
January 6, 2021, 01:56 PM
https://www.3dvf.com/bilali-mack-superviseur-vfx-c...
A new episode of the Chaos Group audio podcast is online . On the menu, an interview with Bilali Mack, VFX supervisor working on films and series ( Power Book II: Ghost, One of ours ). The interview evokes in particular the tool Flame of Autodesk, the way in which Bilali Mack directs smoke and blood in the service of the narration.
December 23, 2020, 03:13 PM
https://www.cinemablend.com/news/2560556/zack-snyd...
While the chief goal of the Snyder Cut movement was to get director Zack Snyder’s fully realized vision for Justice League out to the masses, it also did some good for charity along the way. Fans have raised a lot of money for the American Foundation for Suicide Prevention in honor of Zack Snyder’s late daughter Autumn, and continue to do so even with Zack Snyder’s Justice League on course for a 2021 release. Now the filmmaker has once again thanked those who have donated money to this wor...
December 23, 2020, 03:13 PM
https://beforesandafters.com/2020/12/23/a-midnight...
George Clooney’s The Midnight Sky, now streaming on Netflix, follows action both on Earth (in the Arctic) and in space (mainly on the spacecraft Æther). The filmmakers looked to new virtual production methods, in particular LED walls using ILM’s StageCraft technology set up at Shepperton Studios, to help realize icy Arctic environments.
December 22, 2020, 02:18 PM
https://www.broadcastbeat.com/vfx-legion-provides-...
Visualization services company, OPSIS, recently called on VFX Legion to lend its talents to Songbird, director Adam Mason’s new dystopian thriller from producer Michael Bay. As the film’s primary visual effects vendor, OPSIS provided end-to-end services – from Concept, Previs, Postvis and finalizing VFX shots to assembling the right talent for the job. OPSIS integrated Legion into its team, tapping the pioneering remote company’s...
December 22, 2020, 02:18 PM
https://beforesandafters.com/2020/12/22/wanted-you...
Hi readers, it’s been a big year at befores & afters. I’ve been aiming to post content pretty much daily here, there’s the brand new print publication (!), and technical stories have been ramping up on the site as well.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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