It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 25, 2020, 01:13 PM
https://news.creativecow.net/story/901737
(New York, NY--August 24, 2020) The Audio Product Education Institute (APEI), an initiative of the Audio Engineering Society (AES) that is committed to furthering the knowledge and skills of professionals involved in the development of audio products, will present the free webinar “Changes and Opportunities in Supply Chain and Sourcing – The Changing Global Dynamics, Managing Suppliers, Planning Your Options” on August 26, 12:00 Noon Eastern Daylight Time (9:00 AM Pacific). Registration fo...
August 24, 2020, 04:55 PM
https://www.toolfarm.com/news/siggraph-2020-virtua...
SIGGRAPH 2020 is fully virtual this year and you’ve probably seen a lot of separate schedules from vendors. Here it is in one place. The dates differ so pay close attention.
August 24, 2020, 04:54 PM
https://www.provideocoalition.com/behind-the-scene...
The 2020 Democratic National Convention sailed into uncharted territory, as the first experience of a virtual convention, which was a ground breaking, historic event, paving the way for others.
August 24, 2020, 01:17 PM
https://www.provideocoalition.com/nab-show-launche...
NAB Show in Las Vegas is currently planned for April 10 – 14, 2021, but Covid-19 has changed many strategies, and so a new year-round digital platform, NAB Amplify, is launched in November 2020.
August 24, 2020, 01:17 PM
https://www.provideocoalition.com/is-aces-right-fo...
In the film days, a cinematographer had a good handle on what the final printed image would look like. The film stocks, development methods, and printing processes were regimented with specific guidelines and limited variations. In color television production, up through the early adoption of HD, video cameras likewise adhered to the standards of Rec. 601 (SD) and Rec. 709 (HD). The advent of the video colorist allowed for more creative looks derived in post. Nevertheless, video directors of pho...
August 24, 2020, 01:16 PM
https://beforesandafters.com/2020/08/24/go-inside-...
It feels like things are moving rapidly with virtual production. Inspired by the success of The Mandalorian (both from an audience point of view and in terms of its use of LED walls and real-time rendering techniques), several filmmakers and studios have been experimenting with the technology in a big way.
August 21, 2020, 01:20 PM
https://www.premiumbeat.com/blog/continuity-with-s...
While editing a music video a few years ago, I was faced with a dilemma. I’d been given footage that was to be cut together and combined into one scene. But, because the footage had been shot over two days, there were stark, obvious differences between how some of the shots looked.
August 21, 2020, 01:20 PM
https://www.premiumbeat.com/blog/annotate-on-video...
Open up a world of online educational and entertainment possibilities with this tablet-based setup for creating on-screen graphics in real time.
August 20, 2020, 01:21 PM
https://filmschoolrejects.com/irma-vep-color-theor...
In our new column Color Code, Luke Hicks chooses a handful of shots from a favorite film and analyzes them in detail to draw out the meaning behind specific colors and how they play into their scene and the film as a whole. Inspecting color is like inspecting the soul of a film. It’s an endless endeavor to better understand the artists’ intentions and our connection to the work. For his second entry, Luke digs into Olivier Assayas’ Irma Vep.
August 19, 2020, 01:07 PM
https://www.pixarpost.com/2020/08/Pixar-Celebrates...
Pixar's internal communities, thePalette (people of color) and PixPride (LGBTQ) have collaborated to reflect, celebrate and share stories of voting.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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