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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Nutcracker VFX Supervisor

December 5, 2018, 11:18 AM

https://www.artofvfx.com/the-nutcracker-and-the-fo...

Max Wood began his career in visual effects in 2003 at MPC. He works on films like WATCHMEN, ROBIN HOOD, WORLD WAR Z and 300: RISE OF AN EMPIRE. As a VFX supervisor, he took care of the effects of films such as SAN ANDREAS, ZOOLANDER 2 and SUICIDE SQUAD.

Fantastic Beasts VFX Supervisor Interviewer

December 4, 2018, 10:03 AM

https://www.artofvfx.com/fantastic-beasts-the-crim...

In 2013, Martyn Culpitt explained the work of Image Engine on WHITE HOUSE DOWN. He then worked on many films such as THE WOLVERINE, JURASSIC WORLD, FANTASTIC BEASTS AND WHERE TO FIND THEM, LOGAN and THE MEG.

Nutcracker VFX Breakdown

December 4, 2018, 10:03 AM

https://www.artofvfx.com/the-nutcracker-and-the-fo...

Get ready for a trip into fantasy worlds with the VFX Breakdown by MPC about their work on THE NUTCRACKER AND THE FOUR REALMS...

2019 Oscars VFX Contenders

December 4, 2018, 06:03 AM

https://www.artofvfx.com/oscars-2019-the-20-conten...

The Academy of Motion Picture Arts and Sciences have announced the 20 films for the Best Visual Effects for the 91st Academy Awards...

FANTASTIC BEASTS VFX Supervisor Interview

December 3, 2018, 09:56 AM

https://www.artofvfx.com/fantastic-beasts-the-crim...

In 2016, Tim Burke and Christian Manz told us in detail about their work on FANTASTIC BEASTS AND WHERE TO FIND THEM. They are now back to tell us more about THE CRIMES OF GRINDELWALD.

Best VFX 2019 Oscar Predictions

November 30, 2018, 10:33 AM

https://www.indiewire.com/2018/11/oscars-2019-best...

While 2018 has been a stunning year for character animation and world building, powered by “Ready Player One,” “Black Panther,” and “Jurassic World: Fallen Kingdom,” the Oscar race for Best Visual Effects shapes up as a showdown between “First Man” and “Avengers: Infinity War” — reshaping in-camera VFX for NASA’s trip to the moon versus Marvel’s brilliant CG Thanos.

Director/VFX specialist Alejandro Damiani joins Gl

November 26, 2018, 01:23 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Gloria (gloriacontent.com), the Los Angeles- and Mexico-based branded entertainment production company, has strengthened its roster by signing filmmaker and VFX specialist, Alejandro Damiani. He brings an extensive background and expertise in visual effects, industrial design, post production, creative directing and filmmaking.

Outlaw King VFX Supervisor

November 20, 2018, 10:00 AM

https://www.artofvfx.com/outlaw-king-dan-bethell-v...

Dan Bethell began his career in 2001 at MPC. He works in many studios such as Rising Sun Pictures, Iloura and Method Studios. He worked on films like BATMAN BEGINS, TERMINATOR SALVATION, SPIDER-MAN: HOMECOMING and THOR: RAGNAROK.

Pulling off Epic Gun Stunts

November 14, 2018, 07:32 AM

https://www.vulture.com/2018/11/the-man-behind-the...

If you watch the end credits of the Coen brothers’ The Ballad of Buster Scruggs carefully, one credit pops out: “Gunslinger — Joey Rocketshoes Dillon.” It’s not hard to guess that “gunslinger” is a jokey credit for gun trainer, but you might be surprised to learn that “Rocketshoes” is not a nickname: Dillon legally changed his middle name after a teen stunt that involved tying tiny rockets to his legs to run faster. A self-described “freak Western enthusiast” and quick-draw...

FIRST MAN: An Effects Odyssey

November 9, 2018, 05:15 AM

http://vfxvoice.com/first-man-an-effects-odyssey/

LED screens, practical stunts and sets, models and miniatures, restored archive footage and lots of invisible effects – they’re just some of the VFX techniques utilized in telling the story of Neil Armstrong’s (Ryan Gosling) 1969 moon landing in Damien Chazelle’s First Man.

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