It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 5, 2018, 11:18 AM
https://www.artofvfx.com/the-nutcracker-and-the-fo...
Max Wood began his career in visual effects in 2003 at MPC. He works on films like WATCHMEN, ROBIN HOOD, WORLD WAR Z and 300: RISE OF AN EMPIRE. As a VFX supervisor, he took care of the effects of films such as SAN ANDREAS, ZOOLANDER 2 and SUICIDE SQUAD.
December 4, 2018, 10:03 AM
https://www.artofvfx.com/fantastic-beasts-the-crim...
In 2013, Martyn Culpitt explained the work of Image Engine on WHITE HOUSE DOWN. He then worked on many films such as THE WOLVERINE, JURASSIC WORLD, FANTASTIC BEASTS AND WHERE TO FIND THEM, LOGAN and THE MEG.
December 4, 2018, 10:03 AM
https://www.artofvfx.com/the-nutcracker-and-the-fo...
Get ready for a trip into fantasy worlds with the VFX Breakdown by MPC about their work on THE NUTCRACKER AND THE FOUR REALMS...
December 4, 2018, 06:03 AM
https://www.artofvfx.com/oscars-2019-the-20-conten...
The Academy of Motion Picture Arts and Sciences have announced the 20 films for the Best Visual Effects for the 91st Academy Awards...
December 3, 2018, 09:56 AM
https://www.artofvfx.com/fantastic-beasts-the-crim...
In 2016, Tim Burke and Christian Manz told us in detail about their work on FANTASTIC BEASTS AND WHERE TO FIND THEM. They are now back to tell us more about THE CRIMES OF GRINDELWALD.
November 30, 2018, 10:33 AM
https://www.indiewire.com/2018/11/oscars-2019-best...
While 2018 has been a stunning year for character animation and world building, powered by “Ready Player One,” “Black Panther,” and “Jurassic World: Fallen Kingdom,” the Oscar race for Best Visual Effects shapes up as a showdown between “First Man” and “Avengers: Infinity War” — reshaping in-camera VFX for NASA’s trip to the moon versus Marvel’s brilliant CG Thanos.
November 26, 2018, 01:23 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Gloria (gloriacontent.com), the Los Angeles- and Mexico-based branded entertainment production company, has strengthened its roster by signing filmmaker and VFX specialist, Alejandro Damiani. He brings an extensive background and expertise in visual effects, industrial design, post production, creative directing and filmmaking.
November 20, 2018, 10:00 AM
https://www.artofvfx.com/outlaw-king-dan-bethell-v...
Dan Bethell began his career in 2001 at MPC. He works in many studios such as Rising Sun Pictures, Iloura and Method Studios. He worked on films like BATMAN BEGINS, TERMINATOR SALVATION, SPIDER-MAN: HOMECOMING and THOR: RAGNAROK.
November 14, 2018, 07:32 AM
https://www.vulture.com/2018/11/the-man-behind-the...
If you watch the end credits of the Coen brothers’ The Ballad of Buster Scruggs carefully, one credit pops out: “Gunslinger — Joey Rocketshoes Dillon.” It’s not hard to guess that “gunslinger” is a jokey credit for gun trainer, but you might be surprised to learn that “Rocketshoes” is not a nickname: Dillon legally changed his middle name after a teen stunt that involved tying tiny rockets to his legs to run faster. A self-described “freak Western enthusiast” and quick-draw...
November 9, 2018, 05:15 AM
http://vfxvoice.com/first-man-an-effects-odyssey/
LED screens, practical stunts and sets, models and miniatures, restored archive footage and lots of invisible effects – they’re just some of the VFX techniques utilized in telling the story of Neil Armstrong’s (Ryan Gosling) 1969 moon landing in Damien Chazelle’s First Man.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.