It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 24, 2020, 01:33 PM
https://www.screeneditors.com.au/jill-bilcock-ase-...
See the video for WIFT's Masterclass 'Championing Female Editors with Jill Bilcock AC, ASE, ACE' here.
July 24, 2020, 01:33 PM
https://postperspective.com/behind-the-title-cutru...
How early did Jay Nelson know editing would be his path? In his early teens, he watched music videos and tried to predict where the edits would go. Name: Jay Nelson Company: Cut + Run, Los Angeles What is Cut+Run? Continue reading → July 21, 2020 The post Behind the Title: Cut+Run editor Jay Nelson appeared first on postPerspective.
July 24, 2020, 01:33 PM
https://postperspective.com/foundrys-nuke-indie-ta...
Foundry’s Nuke Indie is the most recent addition to the Nuke product line and targets solo artists looking for an affordable version of Nuke Studio. Nuke Indie combines the node-based compositing toolset of NukeX with the conform, editorial and review capabilities in Nuke Studio, making it a useful tool for artists wanting to create high-quality visual effects at an accessible price of $499 per year. Continue reading → July 21, 2020 The post Foundry’s Nuke Indie targets solo artists ...
July 24, 2020, 01:32 PM
https://www.animationxpress.com/event/online-event...
Animation Masters Summit 2020 is a boon to the industry and animation enthusiasts indeed. With amazing talents talking to the audiences through virtual conferences, the sessions everyday only keep getting better. Day three of AMS 2020 started with an informative session with Walt Disney editor Fabienne Rawley.
July 23, 2020, 05:06 PM
https://www.artofvfx.com/the-old-guard-sara-bennet...
In 2018, Sara Bennett explained the work of Milk Visual Effects on ADRIFT. She comes back today to tell us about her work as Overall VFX Supervisor on the Netflix movie, THE OLD GUARD...
July 23, 2020, 01:24 PM
https://www.awn.com/news/weta-streamliner-and-aval...
Weta Digital, Streamliner and Avalon Studios have launched a new LED-stage virtual production service, based in Wellington, New Zealand. The service brings together live stage expertise and expert screen production capability to offer a new production methodology. Recent growth in real-time visual effects capabilities, along with the health and safety benefits of working in New Zealand, prompted the three leading companies to put together a ready-to-use package for productions of all sizes.
July 22, 2020, 01:27 PM
https://beforesandafters.com/2020/07/22/how-vfx-an...
Anyone familiar with the visual effects (VFX) and animation industries is well-aware that compute power is an essential part of the digital artistic process. Historically, studios had to fork over a serious chunk of change to purchase the machines needed to create, render and store content. The associated costs of this sizable investment made it difficult for studios to get started, and also forced them to make decisions about hardware without knowing what kind of projects it would be used for (...
July 22, 2020, 01:27 PM
https://beforesandafters.com/2020/07/22/retro-rend...
In the past few weeks, befores & afters has been going retro with RenderMan, publishing previously published Pixar materials from days gone by that highlight some of the rendering highlights from Brad Bird’s Ratatouille. Our next piece on that film now covers the fine art of shading of food; preserving the required stylization of the film while also making the food particularly appealing.
July 22, 2020, 01:26 PM
https://www.artofvfx.com/digital-idea-showreel-202...
Don’t miss this really cool new showreel by Korean studio Digital Idea featuring their work on ASHFALL, SHANGHAI FORTRESS, HOTEL DEL LUNA and many more...
July 21, 2020, 07:57 PM
https://www.aotg.com/creating-psas-asap-for-magellan-healthcare/
Magellan Healthcare teams up with Sugar Skull Creative and Director/DP Adam Goldfine to quickly create content to aid with COVID-19 awareness
#blackmagic design#davinci resolve studio#ursa mini pro#blackmagic raw
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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