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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

After Effects for Editors Part 5

August 10, 2017, 06:27 AM

http://jonnyelwyn.co.uk/film-and-video-editing/aft...

Improve your After Effects compositing skills with this round up of useful tutorials as well as discover some of the best Cinema 4D training sites to improve your 3D skills too!

#after effects#compositing#cinema 4d
Brickyard VFX Welcomes Benji Davidson

August 9, 2017, 04:43 AM

https://www.awn.com/news/brickyard-vfx-welcomes-be...

LOS ANGELES -- Brickyard VFX Santa Monica studios has announced the addition of Benji Davidson as VFX Supervisor. Davidson’s world-class creative experience includes live action directing, creative directing and VFX supervision and he is known for bringing imaginative concepts to life, from storyboard to visual delivery. Davidson joins Brickyard from MPC, where he served as VFX Supervisor since 2008.

Star Wars animator took LSD during production

August 4, 2017, 09:20 AM

http://www.independent.co.uk/arts-entertainment/fi...

'I crawled into this cupboard with Brian the cat and we went to the centre of the Earth for like three billion years'

TRANSFORMERS - THE LAST KNIGHT: Sheldon Stopsack

August 1, 2017, 09:33 AM

http://www.artofvfx.com/transformers-the-last-knig...

In 2015, Sheldon Stopsack explained to us about the work of MPC on TERMINATOR GENISYS and then he worked on PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES. Today, he talks about his first collaboration with director Michael Bay for TRANSFORMERS: THE LAST KNIGHT.

THE LEFTOVERS - Season 3: VFX Breakdown by Iloura

August 1, 2017, 09:32 AM

http://www.artofvfx.com/the-leftovers-season-3-vfx...

Here is the VFX Breakdown by Iloura about their work on the Season 3 of THE LEFTOVERs...

What It Will Take For VFX Artists To Remove Henry

July 31, 2017, 09:12 AM

http://www.cinemablend.com/news/1686770/what-it-wi...

Social media is having a lot of fun right now with Henry Cavill's facial hair and the news that he's going to need to have it digitally removed from the Justice League reshoots. But just how much work is going to need to be done? As it turns out, the work is going to need to be fairly extensive. Having said that, it won't be particularly difficult, as digitally removing facial hair is apparently a fairly common practice.

Why ‘Air Force One’ has some of the most talke

July 25, 2017, 09:11 AM

https://vfxblog.com/2017/07/25/air-force-one-richa...

When Wolfgang Petersen’s Air Force One was released 20 years ago this week in 1997, it would be one of Boss Film Studios’ very last visual effects projects before founder Richard Edlund shut the effects company’s doors. The studio spectacularly delivered and destroyed a number of intricate miniature aircraft for the show. It also dived into several CG plane shots, including the scene of Air Force One crashing into the ocean, one that was perhaps not as spectacular.

Boris FX to Showcase Mocha VR and New VFX Plug-ins

July 24, 2017, 05:52 AM

https://www.awn.com/news/boris-fx-showcase-mocha-v...

BOSTON, MA -- Boris FX, the leading developer of visual effects plug-ins for film and post-production, will showcase the newest versions of flagship products Mocha VR, Continuum and Sapphire at SIGGRAPH, August 1–3, 2017 at the Los Angeles Convention Center in booth 1011.

SIGGRAPH 2017 Showcases Highlights

July 21, 2017, 06:24 AM

https://www.awn.com/news/siggraph-2017-showcases-h...

CHICAGO -- SIGGRAPH 2017, the world's leading annual interdisciplinary educational experience showcasing the latest in computer graphics and interactive techniques, has announced highlights from this year's Emerging Technologies, Studio, and Real-Time Live! programs. SIGGRAPH 2017 will mark the 44th International Conference and Exhibition on Computer Graphics and Interactive Techniques, and will be held 30 July–3 August 2017 in Los Angeles.

The social (VFX) lives of Hollywood

July 19, 2017, 04:06 PM

https://vfxblog.com/2017/07/19/the-social-vfx-live...

One of the toughest things about covering visual effects can be getting great VFX imagery to display with a story. There’s often a lengthy approvals process, and sometimes film and TV distributors just want to keep certain things under wraps. That can make it hard to produce interesting stories; in visual effects, behind the scenes images and videos tell so much of the process.

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