It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 2, 2019, 01:08 PM
https://www.premiumbeat.com/blog/glitch-effect-pre...
The glitch effect has become insanely popular in the past few years. It’s in music videos, promos, and all over social media. It’s easy to assume that this effect is hard to pull off, since most of the tutorials you see on creating the effect are made in After Effects, or they require you to buy an expensive plugin.
October 1, 2019, 07:32 PM
https://www.provideocoalition.com/art-of-the-cut-w...
Editor John Axelrad, ACE, has been in post-production since 1991, including a stint as Oscar-winner Anne Coates’ assistant on Out of Sight and Erin Brockovich. He’s edited dozens of features including Slither, We Own the Night, Two Lovers, Crazy Heart, Something Borrowed, Miles Ahead, and Krampus.
October 1, 2019, 12:49 PM
https://www.redsharknews.com/production/item/6685-...
Every year at IBC we make awards to those companies who we think have made significant advances, or that have introduced groundbreaking new technology into the industry. Sometimes the advancements seem subtle, but what they offer is something much more than the sum of their parts. This is our roundup of this years winners of the IBC 2019 RedShark Awards.
September 30, 2019, 05:38 PM
https://www.redsharknews.com/technology/item/6677-...
Earlier this year Sony installed a 16K screen into the front of a cosmetics store in Yokohama, south of Tokyo. The 63ft wide screen (19.2m) screen is believed to be the largest 16K screen yet.
September 28, 2019, 05:01 PM
https://beforesandafters.com/2019/09/28/goro-fujit...
Have you tried out Quill? It’s the painting and animation tool developed by Oculus VR. Until this week, I hadn’t quite got my head completely around how design and animation in VR space was done.
September 27, 2019, 12:50 PM
https://www.premiumbeat.com/blog/review-eras-simpl...
Audio repair tools are always in demand. The ERA 4 Bundle audio repair plug-ins claim to be simple and fast. So, let's put them to the test.
September 27, 2019, 12:50 PM
https://www.indiewire.com/2019/09/ad-astra-vfx-moo...
James Gray (“Lost City of Z”) isn’t accustomed to directing action scenes, but he made sure that his thrilling “Ad Astra” Rover battle on the moon, with astronaut Brad Pitt being pursued and attacked by pirates, was unconventional. “In some weird way, it was shot on location,” Gray said.
September 26, 2019, 04:04 PM
https://www.artofvfx.com/carnival-row-matt-glover-...
After explaining the work of Mr. X on SCARY STORIES TO TELL IN THE DARK, Matt Glover is back to tell us about his work on CARNIVAL ROW.
September 24, 2019, 07:11 PM
https://www.artofvfx.com/carnival-row-betsy-paters...
Betsy Paterson has worked in visual effects for over 23 years. She worked on many films such as BABE: PIG IN THE CITY, SCOOBY-DOO, THE INCREDIBLE HULK, THE HUNGER GAMES and MARCO POLO.
September 20, 2019, 04:01 PM
https://www.motionpictures.org/2019/09/how-the-vfx...
How do you conceptualize a future that feels familiar yet doesn’t exist? For, visual effects supervisor Allen Maris and the entire crew detailing director James Gray’s vision behind Ad Astra, that question became a guiding theme.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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