It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 20, 2017, 09:49 AM
http://www.artofvfx.com/patriots-day-sean-devereau...
At the end of last year, Sean Devereaux, had explained to us the work of Zero VFX on THE MAGNIFICENT SEVEN. He talks to us today about his work on the invisible effects of PATRIOTS DAY.
March 16, 2017, 02:38 PM
http://www.4kshooters.net/2017/03/16/how-to-quickl...
This is probably one of the coolest and easiest post-production tricks you can do in After Effects CC, especially when you need to deal with a clip with some sort of camera movement involved in it. And the best part is that the possibilities of this effective trick are virtually limitless once you get it right.
March 14, 2017, 09:26 AM
http://www.artofvfx.com/les-malheurs-de-sophie-mak...
Mikros Image presents Their work in this making of it THE MISFORTUNES SOPHIE...
March 14, 2017, 06:02 AM
https://photography.tutsplus.com/articles/15-top-s...
Slideshows are a great way to grab someone's attention, and hold onto it. We've selected some of the best After Effects templates from Envato Market to ensure your presentation makes the impact it deserves.
March 13, 2017, 12:16 PM
http://www.artofvfx.com/walmart-the-gift-vfx-break...
Zero VFX presents their VFX work on this WALMART commercial directed by Antoine Fuqua...
March 8, 2017, 06:33 PM
https://vfxblog.com/2017/03/08/a-bunch-of-world-cl...
I’ve got to travel around to a few conferences and events recently and what I’ve found is, there’s nothing quite like hearing and learning directly from artists in visual effects and design – in person.
March 1, 2017, 05:53 PM
https://www.inverse.com/article/28410-king-kong-vi...
owadays, when we see giant creatures stomping across our screens, it goes without saying that there’s some nifty computer graphics behind the action. And that’s certainly the case in Jordan Vogt-Roberts’ Kong: Skull Island, which features incredible visual effects from Industrial Light & Magic.
February 18, 2017, 04:42 PM
http://deadline.com/2017/02/doctor-strange-oscars-...
Oscar nominated for their labors on Marvel’s Doctor Strange, visual effects supervisors Stephane Ceretti and Richard Bluff are emblematic of the magic their craft can bring to big screen endeavors. Injecting magic into the Marvel Cinematic Universe with the Benedict Cumberbatch-starring film, the pair had an important part to play in the future of the studio, creating the looks for several mystical dimensions that may appear in future Marvel movies.
February 17, 2017, 07:11 PM
http://www.awn.com/vfxworld/integrating-vfx-and-st...
As part of AWN's Professional Spotlight Series recorded during VIEW 2016, the Oscar-nominated VFX supervisor talks about a decade of filmmaking innovation and advancement at LAIKA.
February 17, 2017, 10:49 AM
http://deadline.com/2017/02/kubo-and-the-two-strin...
9In scooping a visual effects Oscar nomination, Travis Knight’s Kubo and the Two Strings became the first animated film to do so since 1993’s The Nightmare Before Christmas—a recognition due, in part, to the work of visual effects supervisor Steve Emerson, who also this month received the VES Award for Outstanding Visual Effects in an Animated Feature, alongside Knight, producer Arianne Sutner, and Brad Schiff.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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