It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 30, 2018, 06:05 AM
https://www.premiumbeat.com/blog/new-filmmakers-ke...
I’m sure you’re familiar with the scene of a writer penning his next novel, only to feel his words aren’t telling the story he wants so he scrunches the page into a ball and throws it across the room. A similar scene exists for digital filmmakers, but instead, it involves dragging poorly shot footage to recycle bin.
October 29, 2018, 04:59 AM
https://cgi.tutsplus.com/articles/12-cool-after-ef...
A badly conceived and shoddily executed intro can diminish even the best video and that’s why today we’re focusing on 12 of the coolest After Effects intros available at VideoHive.
October 29, 2018, 04:58 AM
https://www.ibc.org/production/interview-harry-mil...
The creatives behind producing, capturing, editing and the VFX on the fourth instalment of science fiction action film The Predator all collaborated to overcome challenges and adapt to new technology workflows.
October 29, 2018, 04:58 AM
https://nofilmschool.com/2018/12/paycheck-or-passi...
It's hard to coin Steven Yeun's year as "breakthrough" since the South Korean actor has been a figure in the public's eye since his first appearance as Glenn from AMC's The Walking Dead in 2010. But with starring roles in both Boots Riley's Sorry to Bother You and Chang Dong Lee's Burning in 2018, he has all but cemented himself as a leading man on the independent film scene.
October 26, 2018, 06:17 AM
https://newatlas.com/western-digital-enterprise-hc...
Just over a year after launching a 14 TB hard drive for cloud and data centers, Western Digital has added another terabyte of storage space without increasing the physical dimensions for the new Ultrastar DC HC620 HDD.
October 25, 2018, 09:01 AM
https://www.slashgear.com/western-digital-hard-dri...
Storage is one of the great unifiers of the information age. Everyone needs more storage, whether they’re an individual consumer or a massive company. For those in the latter group, Western Digital today announced a beefy new HDD that packs a whopping 15TB of storage.
October 23, 2018, 09:48 AM
https://www.pro-tools-expert.com/home-page/2018/10...
In this week’s podcast, Russ, Mike and Julian discuss the potential imminent release of a more pro focussed Mac Mini and what that means for studio users, Mike updates us on his trip to AES in New York, they share community feedback, and their finds of the week. Also in this week's Podcast, there is an opportunity to get an exclusive discount of an Exponential Audio plug-in, but you have to listen to the podcast to get the discount code!
October 19, 2018, 09:25 AM
https://nofilmschool.com/2018/10/evercast-livestre...
As the appetite for content grows (and film and television productions continue to send creative teams all over the world to shoot), the ability to get all creatives in one place at one time to collaborate becomes more challenging and more expensive. But it doesn't have to be, thanks to a new collaborative tool: Evercast.
October 18, 2018, 12:14 PM
https://nofilmschool.com/2018/10/why-premiere-pro-...
I’m the last person to tell you that Premiere Pro is better than Final Cut Pro (or the other way around) as I’m on Windows and have never used Final Cut Pro. But this video is not about which NLE is the best. I just want to address the topic of the magnetic timeline.
October 9, 2018, 02:57 AM
https://jonnyelwyn.co.uk/film-and-video-editing/th...
- Insights on editing a feature film in Premiere Pro - Tackling character driven narratives and long dialogue scenes - Custom keyboards for a smoother edit experience - Advanced Premiere Pro workflows - In person assistant editor training for feature and TV
#adobe premiere pro#feature film editing#interview with editors#the old man and the gun
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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