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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Avid Pro Tools MTRX Studio Interface Coming Soon

January 16, 2020, 07:26 PM

https://www.pro-tools-expert.com/home-page/2020/1/...

At NAMM 2020, Avid is showing their next interface, developed in partnership with DAD. It’s a 1U interface and monitor controller. In this article, we share all there is to know.

Mac Pro 2019 With Pro Tools HDX Running 2019.12 On

January 9, 2020, 01:42 PM

https://www.pro-tools-expert.com/home-page/2019/12...

Community member James Richmond is a freelance producer/engineer/audio consultant working from his studio in Oxfordshire, UK. He has chosen to go for a new 2019 Mac Pro even though it isn’t approved yet for Pro Tools. In this article, he shares his experiences setting up a 2019 Mac Pro with Logic Pro X and Pro Tools 2019.12 running on macOS Catalina with an Avid Pro Tools HDX1 system.

Creating 1917’s Intense, Immersive Sound of War:

January 6, 2020, 10:00 PM

https://www.asoundeffect.com/1917-film-sound/

Sound Supervisor Oliver Tarney on creating the intense, immersive sound of war for 1917:

Capturing Sound with the New 32-Bit Floating Audio

January 2, 2020, 04:36 PM

https://www.premiumbeat.com/blog/capturing-sound-w...

Cameras that shoot RAW are more forgiving for new shooters. This new audio format — a 32-bit floating point — promises to do the same for sound capture.

What New Features Would You Like In The Next Versi

December 16, 2019, 01:56 PM

https://www.pro-tools-expert.com/home-page/2019/12...

Even though Avid undertakes its annual ACA survey and now has the New Features Lounge in the Avid Link app, we thought it was time to explore some of the new features we would like to see Avid add to Pro Tools and give you the opportunity to make your own suggestions too.

How They Did It: SFX Supervisor Mark Byers on Gett

November 21, 2019, 09:03 PM

https://www.studiodaily.com/2019/11/sfx-supervisor...

I got involved with the show thru Fox producer Kevin Halloran, who had me meet with James Mangold to talk about the cars and how we would achieve the look James wanted. We wanted to approach the car gags and all of the car racing shots as practical effects as much as possible. We wanted to get the cars, the driving, and the crashes with real cars and real drivers, or actors in real cars, as much as we could.

Watermelon Sound Launches in Toluca Lake

November 21, 2019, 09:03 PM

http://www.btlnews.com/community/whos-where/waterm...

James Longeretta, owner of global post-production solutions provider Vortechs, has teamed with veteran Supervising Sound Editor/Re-Recording Mixer Joe Schultz (Once Upon a Time, Lost, Amazing Stories for Apple TV) to launch Waterman Sound. The state-of-the-art sound facility offers sound editorial, sound design, mixing, and ADR from its newly-built studio in Toluca Lake, California. The company has hired ADR Mixer Marilyn Morris (Captain Marvel, Miss Sloane), formerly of Skywalker Sound and Dubb...

iZotope's Dialogue Match Is Cut-and-Paste for EQ,

November 5, 2019, 08:16 PM

https://www.studiodaily.com/2019/11/izotopes-dialo...

iZotope released Dialogue Match, a new software tool the company claims analyzes the "sonic character" of dialogue recordings to better match tracks captur

iZotope Dialogue Match - New Time Saving Tool For

November 5, 2019, 02:06 PM

https://www.pro-tools-expert.com/home-page/2019/10...

We recently posted an article iZotope Announce The Next Big Thing In Post Production - What Could It Be? because iZotope announced a presentation on November 7th and we learnt that a new product would be launched on November 5th, well the wait is over.

Dalet AmberFin now includes Dolby Vision HDR techn

November 3, 2019, 08:56 PM

https://postperspective.com/dalet-amberfin-now-inc...

Dalet’s AmberFin software-based transcoding asset management system now includes Dolby Vision HDR technology targeting media professionals, studios and streaming service providers. The newly updated Dalet AmberFin engine enables mastering and distribution workflows for production, post and streaming In addition to Dolby Vision and a bunch of other new software-only features, Dalet AmberFin can also be enhanced with hardware acceleration tools such as the M820L HEVC encoder plugin card fro...

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