It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 16, 2019, 06:01 AM
https://www.redsharknews.com/audio/item/6571-sound...
Review: Sound Forge is a piece of software or, perhaps better, a family of software, with a history so long that early versions could be run under Windows 3.1. Phil Rhodes takes a look at Sound Forge Audio Cleaning Lab, an offshoot designed for, you've guessed it, cleaning up your audio.
August 16, 2019, 06:01 AM
https://www.pro-tools-expert.com/home-page/2019/10...
In this week's Friday Free Plug-in, we are featuring Rough Rider 2 from Audiodamage, a modern compressor with a bit of bite.
August 15, 2019, 11:45 AM
https://www.redsharknews.com/production/item/6575-...
From a low budget filmmakers perspective, the idea that you could place your actors in any location and see totally convincing results not only viewed, but also recorded live in-camera is a dream situation. Yet this very thing has now become reality thanks to Unreal Engine.
August 15, 2019, 11:44 AM
https://www.awn.com/news/visual-effects-society-an...
LOS ANGELES, CA -- The Visual Effects Society (VES), the industry’s global professional honorary society, has just announced the 2019 inductees into the VES Hall of Fame, the newest Lifetime and Honorary members and this year’s recipient of the VES Founders Award. The names of this year’s VES Fellows will be announced later. The honorees and Hall of Fame inductees will be recognized at a special reception in October.
August 15, 2019, 05:39 AM
https://photography.tutsplus.com/articles/10-top-t...
In many videos, text is the only on-screen design element you'll use. That means your titles will have a big impact on how people perceive your work. While Final Cut Pro features some great ready-to-use text options to get your videos going, templates made by the talented authors on Envato Elements can elevate your work easily and quickly.
August 15, 2019, 05:39 AM
https://www.creativeplanetnetwork.com/the-wire/vfx...
VFX Legion recently completed a visual effects for History Channel’s new mini-series. Produced by Lucky 8m the docudrama tells the stories of visionaries - such as Milton Hershey, John and Will Kellogg, Henry Heinz, C.W. Post, the McDonald brothers - who built the brands and invented the technology that revolutionized the food industry.
August 15, 2019, 05:39 AM
https://www.redsharknews.com/technology/item/6574-...
The recent news that the patent dispute over LTO-8 has been resolved is a welcome one. But the time it has taken to sort out might mean that it is too little, too late.
August 13, 2019, 09:17 AM
https://www.artofvfx.com/stranger-things-season-3-...
In 2012, Martin Pelletier explained the work of Modus FX on MIRROR MIRROR. He joined Rodeo FX in 2014 and became the Head of Studio for their Quebec City office. As a VFX Supervisor, he took care of the effects of projects such as FEAR THE WALKING DEAD, DEATH WISH, KRYPTON and THE WALKING DEAD.
August 13, 2019, 09:16 AM
http://www.postmagazine.com/Video-Center/Gallery/V...
Cinesite has released its VFX breakdown reel for the hugely successful Avengers: Endgame. The studio delivered 264 shots, which were overseen by Cinesite VFX supervisor Simon Stanley-Clamp.
August 13, 2019, 05:47 AM
https://prodesigntools.com/adobe-max-free-pass-giv...
MAX 2019 – the big annual conference intersecting creativity and Adobe technology – is happening this fall in Los Angeles, California… And continuing our longtime custom of free Adobe giveaways, we’ve got one free regular full conference pass (worth US$1,895) to give away, courtesy of our friends at Adobe Systems! Plus, an exclusive US$400-off MAX ticket discount code that’s usable for everyone… (details below)
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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