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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Pro Color Monitor - False Color Tool for Post-Prod

January 23, 2020, 02:00 PM

https://www.cinema5d.com/pro-color-monitor-false-c...

Pro Color Monitor is a Mac app designed to analyze footage, and that acts as a monitor false color tool for post-production. Let’s take a closer look at this one of its kind tool to see how it can help you white balancing your footage easily!

BAFTA to Honor Andy Serkis

January 23, 2020, 02:00 PM

https://variety.com/2020/film/global/bafta-to-hono...

The British Academy of Film and Television Arts (BAFTA) is presenting Andy Serkis with its Outstanding British Contribution to Cinema Award at the 73rd EE British Academy Film Awards ceremony on Feb. 2 in London.

Mac Pro 2019 & Trash Can Processing Power Availabl

January 23, 2020, 02:00 PM

https://www.pro-tools-expert.com/home-page/2020/1/...

As a precursor to this article, I demonstrated that the Pro Tools System Usage meter, although very pretty, doesn’t display what is actually happening with the load across the CPUs in a computer. To get a much more accurate display of this, you need to turn to the tools available in your operating system, whether macOS or Windows.

Looking Ahead: Next-Gen of VFX Collaboration

January 23, 2020, 02:00 PM

http://www.cgw.com/Press-Center/Web-Exclusives/202...

There’s no denying both the volume and production standards of film, TV and streaming have reached an all-time high. In 2018, 10 out of the 10 highest grossing films in the US were either visual effects (VFX) movies or computer-animated films. And from 2011 to 2018, the episodic TV industry experienced an 85 percent increase — many of those series relying heavily on VFX.

Real-life renders of animated bedrooms are strange

January 23, 2020, 02:00 PM

https://www.creativebloq.com/news/real-life-render...

The cool thing about animation is that while the elements of a story may feel familiar – perhaps the characters are human, and live in the sort of houses we recognise – the animated format allows us to suspend our disbelief. Things happen in cartoons that wouldn't happen in real life. And largely, as an audience, we'll happily accept that.

THE WITCHER: Aleksandar Pejic - VFX Supervisor

January 21, 2020, 06:17 PM

https://www.artofvfx.com/the-witcher-aleksandar-pe...

In 2016, Aleksandar Pejic explained the work of Framestore on THE LEGEND OF TARZAN. He then joined Cinesite and worked on AVENGERS: INFINITY WAR and ROBIN HOOD.

How ‘The Irishman’ VFX Supervisor De-Aged Acto

January 21, 2020, 06:17 PM

https://deadline.com/2020/01/the-irishman-vfx-supe...

On Martin Scorsese’s The Irishman, VFX Supervisor Pablo Helman faced the “astronomical” challenge of de-aging Robert De Niro, Al Pacino and Joe Pesci for a gangster epic that jumped back and forth in time, developing groundbreaking software and a three-part camera rig through which the team at ILM could pull the job off.

More of the social (VFX) lives of Hollywood

January 21, 2020, 02:27 PM

https://beforesandafters.com/2020/01/21/more-of-th...

Back in 2017, I collected a whole bunch of social media postings from actors, directors and filmmakers where they had published pics of themselves or others doing various VFX-related things like being 3D scanned, wearing mocap gear or appearing on greenscreens.

Script Analysis for Sound Design, Raymond Chandler

January 21, 2020, 02:27 PM

https://randythomblog.wordpress.com/2020/01/20/scr...

The deluge. A deluge of memories for Betty as a deluge of voices in the flashback courtroom turn into a literal deluge of rain outside her hotel room on the balcony where, at the bottom of page 56 she soon discovers Mitchell’s dead body on the chaise lounge. Playback! This sequence solidifies the water theme in the movie. We equate rain/water with sadness and longing.

11 Tips to Make Mindblowing Instagram Videos

January 21, 2020, 05:06 AM

https://www.filmcrux.com/blog/instagram-videos

Making stunning Instagram videos is no easy task. Not only are there a ton of restrictions on what you’re able to do with your videos, but essentially, it’s filmmaking in a wildly different format than we’ve seen in the past. That’s why we put together this guide featuring 11 of the best tips for making mindblowing Instagram videos.

#tutorial#tips#video editing#instagram#social media#lists#instagram videos
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