It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 23, 2020, 02:00 PM
https://www.cinema5d.com/pro-color-monitor-false-c...
Pro Color Monitor is a Mac app designed to analyze footage, and that acts as a monitor false color tool for post-production. Let’s take a closer look at this one of its kind tool to see how it can help you white balancing your footage easily!
January 23, 2020, 02:00 PM
https://variety.com/2020/film/global/bafta-to-hono...
The British Academy of Film and Television Arts (BAFTA) is presenting Andy Serkis with its Outstanding British Contribution to Cinema Award at the 73rd EE British Academy Film Awards ceremony on Feb. 2 in London.
January 23, 2020, 02:00 PM
https://www.pro-tools-expert.com/home-page/2020/1/...
As a precursor to this article, I demonstrated that the Pro Tools System Usage meter, although very pretty, doesn’t display what is actually happening with the load across the CPUs in a computer. To get a much more accurate display of this, you need to turn to the tools available in your operating system, whether macOS or Windows.
January 23, 2020, 02:00 PM
http://www.cgw.com/Press-Center/Web-Exclusives/202...
There’s no denying both the volume and production standards of film, TV and streaming have reached an all-time high. In 2018, 10 out of the 10 highest grossing films in the US were either visual effects (VFX) movies or computer-animated films. And from 2011 to 2018, the episodic TV industry experienced an 85 percent increase — many of those series relying heavily on VFX.
January 23, 2020, 02:00 PM
https://www.creativebloq.com/news/real-life-render...
The cool thing about animation is that while the elements of a story may feel familiar – perhaps the characters are human, and live in the sort of houses we recognise – the animated format allows us to suspend our disbelief. Things happen in cartoons that wouldn't happen in real life. And largely, as an audience, we'll happily accept that.
January 21, 2020, 06:17 PM
https://www.artofvfx.com/the-witcher-aleksandar-pe...
In 2016, Aleksandar Pejic explained the work of Framestore on THE LEGEND OF TARZAN. He then joined Cinesite and worked on AVENGERS: INFINITY WAR and ROBIN HOOD.
January 21, 2020, 06:17 PM
https://deadline.com/2020/01/the-irishman-vfx-supe...
On Martin Scorsese’s The Irishman, VFX Supervisor Pablo Helman faced the “astronomical” challenge of de-aging Robert De Niro, Al Pacino and Joe Pesci for a gangster epic that jumped back and forth in time, developing groundbreaking software and a three-part camera rig through which the team at ILM could pull the job off.
January 21, 2020, 02:27 PM
https://beforesandafters.com/2020/01/21/more-of-th...
Back in 2017, I collected a whole bunch of social media postings from actors, directors and filmmakers where they had published pics of themselves or others doing various VFX-related things like being 3D scanned, wearing mocap gear or appearing on greenscreens.
January 21, 2020, 02:27 PM
https://randythomblog.wordpress.com/2020/01/20/scr...
The deluge. A deluge of memories for Betty as a deluge of voices in the flashback courtroom turn into a literal deluge of rain outside her hotel room on the balcony where, at the bottom of page 56 she soon discovers Mitchell’s dead body on the chaise lounge. Playback! This sequence solidifies the water theme in the movie. We equate rain/water with sadness and longing.
January 21, 2020, 05:06 AM
https://www.filmcrux.com/blog/instagram-videos
Making stunning Instagram videos is no easy task. Not only are there a ton of restrictions on what you’re able to do with your videos, but essentially, it’s filmmaking in a wildly different format than we’ve seen in the past. That’s why we put together this guide featuring 11 of the best tips for making mindblowing Instagram videos.
#tutorial#tips#video editing#instagram#social media#lists#instagram videos
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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