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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Interview with Janis Vogel

August 24, 2016, 06:03 AM

https://www.aotg.com/interview-with-janis-vogel/

For many filmmakers and artists, the elusive world of Television Production can seem intimidating and impossible to penetrate. In my chat with Janis Vogel, we demystify post production and editing, discussing secret tricks of the trade.

NABShow 2016 Interview (Avid)

May 3, 2016, 01:07 PM

https://www.aotg.com/nabshow-2016-interview-avid/

Gordon sits down at NABShow 2016 to interview Matt Feury (Director - Pro Video) and Tony Cariddi (Marketing Director - Audio) at Avid. They discuss the new announcements from Avid at NABShow 2016.

NABShow 2016 Interview (Bryce Button AJA)

April 21, 2016, 02:01 PM

https://www.aotg.com/nabshow-2016-interview-bryce-button-aja/

Gordon sits down with Bryce Button to discuss the U-Tap, Kona IP, and the new Helo!

NABShow 2016 Interview (Blackmagic Design)

April 19, 2016, 02:15 PM

https://www.aotg.com/nabshow-2016-interview-blackmagic-design/

Gordon Sits down with Blackmagic Design to discuss their announcements.

NABShow 2016 Interview (Al Mooney)

April 19, 2016, 08:21 AM

https://www.aotg.com/nabshow-2016-interview-al-mooney/

Gordon sits down to talk with Al Mooney about all the major updates to Adobe Premiere Pro at this years Nabshow.

Quick Tips: BCC + RED + Media Composer “Favorite

February 24, 2015, 10:38 AM

http://www.borisfx.com/blog/2015/02/24/quick-tips-...

In the latest “Quick Tips” tutorial, Senior Product Manager Dirk de Jong shows Avid editors how to incorporate the Media Composer 8.2 new feature – the “Favorites” bin – into your BCC and RED workflows. Featuring tips on creating custom … Continue reading →

AUDIO: ACE Eddie winner Frank Marshall

February 2, 2015, 05:27 PM

http://www.postmagazine.com/Video-Center/Gallery/A...

Frank Marshall was presented with the ACE Golden Eddie Filmmaker of the Year Award by actor Chris Pratt for his contributions to the editing community. Listen to his acceptance speech.

AUDIO: ACE Eddie winner Barney Pilling

February 2, 2015, 05:26 PM

http://www.postmagazine.com/Video-Center/Gallery/A...

Barney Pilling captured the ACE Eddie Award for Best Edited Feature Film, Comedy or Musical, for his efforts on Wes Anderson’s witty and stylized period comedy, "The Grand Budapest Hotel." Listen to his backstage conversation with Post contributor Michael Goldman.

Editing TV Cartoons

January 16, 2015, 02:18 PM

http://animationguildblog.blogspot.ca/2015/01/edit...

Roberts S. Birchard has been an editor of television cartoons for almost forty years. In the early eighties, he broke into the animation business at a studio called Hanna-Barbera, and soon moved on to DIC Animation (where he found the hectic schedules and tight deadlines to be an interesting challenge).

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