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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Episode 296 — Blowing Up Your Freelance Prices

April 27, 2021, 08:44 AM

https://www.allanmckay.com/296/

We have these barriers that we put on ourselves because we set our reality to be around these limitations. We tell ourselves we can’t do something. Or that art doesn’t pay. Or that the industry sucks. These are the constraints — or excuses — we put on ourselves to dismiss the possibility of what could be real. That becomes our reality. So how many things like this are you telling yourself?

Episode 295 — DOOM ETERNAL – Hugo Martin

April 20, 2021, 08:50 AM

https://www.allanmckay.com/295/

I want to break down a discussion I had with Hugo Martin, the Creative Director for DOOM and DOOM Eternal, and all the key takeaways I learned from speaking to him. I’m really excited about this. It’s a bit of a different formant. I did an Episode with Hugo a while back and it was in between DOOM and Call of Duty. At the time, we couldn’t get clearance. But because so many amazing insights were shared, I wanted to go ahead and do it through this format.

#vfx#games#doom eternal
Episode 294 — Dickinson VFX Sup – Lotta Forssman

April 13, 2021, 08:59 AM

https://www.allanmckay.com/294-2/

Lotta (aka Charlotta) Forssman is a VFX supervisor based out of NYC. For nearly a decade, she has been part of Molecule VFX and has worked on shows like Ballers (HBO), The Good Cop, Unbreakable Kimmy Schmidt, Master of None (Netflix). She has been a Supervisor for Apple TV’s Dickinson since Season 1.

Episode 293 — Unreal Fellowship — Brian Pohl

April 6, 2021, 09:27 AM

https://www.allanmckay.com/293/

The Unreal Fellowship is a 30-day intensive blended learning experience designed to help experienced industry professionals in film, animation, and VFX learn Unreal Engine, develop a strong command of state-of-the-art virtual production tools, and foster the next generation of teams in the emerging field of real-time production.

#unreal engine#brian pohl
State of Remote Editing 2021: How it’s being done and how we should be doing it

March 30, 2021, 09:37 AM

https://www.provideocoalition.com/state-of-remote-...

It’s a year on from the start of the pandemic shutdown and we revisit the topic of remote editing with a panel of industry experts. Specifically, we look at how to do this right, now that remote editing has become a semi-permanent part of post production life. We cover desktop streaming, locally hosted media solutions, sneakernet, multi-site synchronization, remote collaboration, cloud computing and cloud storage, and a host of other topics.

#editing#covid
Episode 291 — NFT & Crypto Art Explained — Rhett Dashwood (aka Mankind)

March 23, 2021, 08:52 AM

https://www.allanmckay.com/291-2/

Rhett Dashwood (aka Mankind) is an award winning Creative Director with experience in a broad range of creative media, including digital, animation, branding, print, film making and concept art. He has worked with the following studios and agencies during his 15+ years in the industry: Emery / Frost, Tribal, AKQA, Exit Films, DDB and many more. He is currently Creative Director of Dashwood.

#nft#crypto
Episode 290 — Digital Domain — Doug Roble

March 16, 2021, 08:52 AM

https://www.allanmckay.com/290/

Doug Roble is the Senior Director of Software R&D at Digital Domain and leads a world-class team of software developers. An original member of Digital Domain, Doug has been writing software and conducting research to advance the artistry and technology for feature films since the studio’s inception.

#vfx#allan mckay#doug roble
ART OF THE CUT with Fred Thoraval on “Promising Young Woman”

March 15, 2021, 08:43 AM

https://www.provideocoalition.com/aotc-promising-y...

Today we’re talking with Fred Thoraval, editor of Oscar contender, Promising Young Woman which you can watch on-demand now through Amazon Prime and others. It has also been nominated for an ACE EDDIE for Best Editing.

#editing
Art Of The Cut Podcast Eps. 90 (“Promising Young

March 13, 2021, 05:09 PM

https://www.provideocoalition.com/art-of-the-cut-p...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows and [...]Read More...

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