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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Episode 298 Zack Snyders JUSTICE LEAGUE

May 11, 2021, 09:01 AM

https://www.allanmckay.com/298/

Episode 298 -- Zack Snyder’s JUSTICE LEAGUE -- Scanline VFX When it comes to VFX Work, Bryan Hirota has seen a lot in his career, from his first

The Monk Studios VFX Showreel 2021

May 7, 2021, 08:52 AM

https://www.artofvfx.com/the-monk-studios-vfx-show...

Let’s have a look at the work made by the Bangkok based company The Monk Studios in their latest showreel such as The Yin Yang Master, Legend of the Ancient Sword and Skyfire...

Episode 297 — Platige Image — The Witcher

May 4, 2021, 09:36 AM

https://www.allanmckay.com/297/

Platige Image S.A. is a Polish VFX company that specializes in computer graphics, 3D animation and digital special effects. It was founded in Warsaw in 1997, by Jarosław Sawko and Piotr Sikora. The studio employs a staff of over 150 artists, including directors, art directors, graphic designers and producers.

EXCLUSIVE: SNEEK VFX PEAK FROM ‘THE BOYS’ OFFICIAL PODCAST

April 28, 2021, 08:57 AM

https://beforesandafters.com/2021/04/28/exclusive-...

If you’ve watched The Boys, the Amazon Original drama series from Prime Video, then you know it’s a comic book series with a difference. I’ve covered the visual effects of the show a few times, including being lucky enough to sit in on a review session with VFX supervisor Stephan Fleet.

#vfx#the boys
Episode 296 — Blowing Up Your Freelance Prices

April 27, 2021, 08:44 AM

https://www.allanmckay.com/296/

We have these barriers that we put on ourselves because we set our reality to be around these limitations. We tell ourselves we can’t do something. Or that art doesn’t pay. Or that the industry sucks. These are the constraints — or excuses — we put on ourselves to dismiss the possibility of what could be real. That becomes our reality. So how many things like this are you telling yourself?

Episode 295 — DOOM ETERNAL – Hugo Martin

April 20, 2021, 08:50 AM

https://www.allanmckay.com/295/

I want to break down a discussion I had with Hugo Martin, the Creative Director for DOOM and DOOM Eternal, and all the key takeaways I learned from speaking to him. I’m really excited about this. It’s a bit of a different formant. I did an Episode with Hugo a while back and it was in between DOOM and Call of Duty. At the time, we couldn’t get clearance. But because so many amazing insights were shared, I wanted to go ahead and do it through this format.

#vfx#games#doom eternal
Episode 294 — Dickinson VFX Sup – Lotta Forssman

April 13, 2021, 08:59 AM

https://www.allanmckay.com/294-2/

Lotta (aka Charlotta) Forssman is a VFX supervisor based out of NYC. For nearly a decade, she has been part of Molecule VFX and has worked on shows like Ballers (HBO), The Good Cop, Unbreakable Kimmy Schmidt, Master of None (Netflix). She has been a Supervisor for Apple TV’s Dickinson since Season 1.

VFX FIRSTS: WHAT WAS THE FIRST FILM TO USE A CLOUD TANK?

April 8, 2021, 08:40 AM

https://beforesandafters.com/2021/04/08/vfx-firsts...

I’m excited to announce the VFX Firsts podcast here at befores & afters! It’s going to be a weekly audio limited series podcast looking back at major pioneering moments in visual effects, with expert guests who work in the particular area of focus of each episode.

#cloud tank
Episode 293 — Unreal Fellowship — Brian Pohl

April 6, 2021, 09:27 AM

https://www.allanmckay.com/293/

The Unreal Fellowship is a 30-day intensive blended learning experience designed to help experienced industry professionals in film, animation, and VFX learn Unreal Engine, develop a strong command of state-of-the-art virtual production tools, and foster the next generation of teams in the emerging field of real-time production.

#unreal engine#brian pohl
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