It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 15, 2015, 09:29 AM
http://www.artofvfx.com/the-martian-neil-weatherle...
Neil Weatherley joined Framestore in 2001, he began as assistant technical director and became CG supervisor in 2014 on EDGE OF TOMORROW and PADDINGTON. He worked on many projects such as CHARLIE AND THE CHOCOLATE FACTORY, CHILDREN OF MEN, THE GOLDEN COMPASS or THE DARK KNIGHT.
October 15, 2015, 05:00 AM
http://www.artofvfx.com/au-service-de-la-france-ma...
Machine Molle have just released a making of about their VFX work for the Arte TV serie, AU SERVICE DE LA FRANCE...
October 15, 2015, 04:59 AM
http://www.fxguide.com/featured/step-by-step-a-wal...
Here’s how Atomic Fiction, led by visual effects supervisor Kevin Baillie, reproduced Philippe Petit's daring high-wire act between the Twin Towers of the World Trade Center on August 7th, 1974 for Robert Zemeckis’ The Walk.
October 14, 2015, 04:19 PM
http://postperspective.com/list-vfx-tightrope-walk...
Visual effects supervisor Kevin Baillie talks about working with Robert Zemeckis on the director’s latest By Iain Blair Oscar-winner Bob Zemeckis has always been at the cutting edge of technology, and highly skilled at integrating that technology in the service of telling stories in such films as Forrest Gump, Back to the Future, Who Framed Roger Rabbit?, The Polar Express, Beowulf and Flight. Now, in The Walk, he’s putting moviegoers in the shoes of Philippe Petit, the French aeriali...
October 14, 2015, 09:09 AM
http://www.artofvfx.com/the-martian-richard-stamme...
In 2014, Richard Stammers had explained to us his work on X-MEN: DAYS OF FUTURE PAST. He now talks about his new collaboration with Ridley Scott for his film THE MARTIAN.
October 13, 2015, 12:23 PM
http://www.redsharknews.com/post/item/2950-rampant...
Sometimes, the simplest solution is best, which is why we like Rampant Design's new Motion Graphics for Editors Version 2. RampantMotion graphicsEditingMotion Graphics for EditorsDrag and dropEffectsQuicktime effects
October 13, 2015, 12:22 PM
http://www.artofvfx.com/the-walk-kevin-baillie-ove...
During his last visit, Kevin Baillie talked about the work of Atomic Fiction on STAR TREK INTO DARKNESS. He then worked on NEED FOR SPEED and TRANSFORMERS: AGE OF EXTINCTION. He then takes of the effects supervision of the new film by Robert Zemeckis, THE WALK and opens at this occasion an Atomic Fiction office in Montreal.
October 13, 2015, 05:11 AM
http://www.animationmagazine.net/vfx/troika-puts-i...
Troika has been having a good summer, with the marketing and branding agency having delivered a pair of high-profile projects, including a new show identity for The Daily Show with Trevor Noah and ID’s for Food Network’s annual Scary Good Halloween campaign.
October 12, 2015, 12:35 PM
https://news.creativecow.net/story/879888
(Los Angeles, California--October 12, 2015) Todd Masters, Founder and President of MASTERSFX has announced an unprecedented slate of current and upcoming small screen projects which will feature original character and makeup FX, as well as digital FX, from the award-winning studio.
October 9, 2015, 02:44 PM
https://www.rocketstock.com/blog/the-astonishing-v...
Image Engine has been around since the mid-1990s, but in the past six years they have been behind major VFX sequences in some of the biggest blockbuster films. If you aren’t familiar with Image Engine, check out their 2015 demo reel.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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