It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 11, 2014, 09:39 AM
http://www.geekazine.com/special/day-4-microphones...
Final day at NAB. This is my chance to get around and catch the interviews I missed before. Especially for those audio podcasters out there.
April 11, 2014, 09:38 AM
http://www.redsharknews.com/technology/item/1610-t...
On the face of it, 4K is a done deal. That was the rapid conclusion I came to when I arrived at the NAB show in Las Vegas this year. It was abundantly clear that 4K had moved from being somewhat speculative and experimental, to being current, almost mainstream technology. Whereas last year there were a few 4K screens from major manufacturers - all of them very big and very expensive - this year, they were all over the place, and at all prices. At the top of the pile were the color-calibra...
April 11, 2014, 09:37 AM
http://www.redsharknews.com/production/item/1613-p...
Normally when a content creation software adds cloud features, that basically means that restrictions are employed. The software might not work anymore without internet access and options like storing assets in the cloud are meant to further bind a customer to the software. Blender is doing it differently. Blender FoundationBlenderCloud
April 11, 2014, 09:37 AM
http://www.fcp.co/hardware-and-software/1397-takin...
Want to secure your precious Mac Pro into a rack? Then this is one way to do it with the new Sonnet xMac Pro Server. Want to expand with PCIe cards too? No problem. Want two Mac Pros in the same rack...
April 11, 2014, 09:36 AM
http://www.digitalproductionbuzz.com/2014/04/eveni...
GUESTS: Alexis Van Hurkman, Ned Soltz, Carey Dissmore, Michele Yamazaki, Alicia van Heulen, Oliver Peters, Corey Roberts, and Larry Jordan Click to listen to the current show. (Mobile users click the MP3 player underneath image.) *Right click on Download and “Save Link As…” Join Larry Jordan, from the NAB 2014 show floor, as he talks with: Alexis Van Hurkman, Author, Director, Colorist, Van Hurkman Productions Larry Jordan sits down with Alexis Van Hurkman, a writer, director, ...
April 11, 2014, 09:36 AM
http://walterbiscardi.com/avid-dips-their-toes-int...
Now Avid is dipping their toes into the subscription model and for editors everywhere, this is a GREAT development. Avid offering the subscription model plays well into the small shop / independent editor / independent post house extremely well. Read my full NAB Show 2014 report at the Creative Cow.
April 11, 2014, 12:02 AM
http://www.behindvfx.com/post/82328167166/behind-v...
From Prime Focus World, an in-depth look at the VFX sequence of Pete Travis’s (2012) “Dredd.” Dredd was based on the 2000 AD comic strip Judge Dredd and its eponymous character created by John Wagner and Carlos Ezquerra. Karl Urban stars as Judge Dredd, a law enforcer given the power of judge, jury and executioner in a vast, dystopic metropolis called Mega-City One that lies in a post-apocalyptic wasteland.
April 10, 2014, 06:10 PM
http://www.digitalproductionbuzz.com/2014/04/live-...
GUESTS: Durin Gleaves , Elaine Kwok, Rob D’Amico, and Derick Rhodes Click to listen to the current show. (Mobile users click the MP3 player underneath image.) *Right click on Download and “Save Link As…” Join Larry Jordan, live from our booth on the show floor, as he talks with: Durin Gleaves, Product Owner, Adobe Professional Audio Durin Gleaves, Product Owner, Adobe Professional Audio stops by to discuss Adobe Audition and why a customer should choose Audition over Pro Tool...
April 10, 2014, 06:09 PM
http://www.premiumbeat.com/blog/gradient-maps-and-...
Combining gradient mapping and blend modes can be used to create fun, unique looks in After Effects.
April 10, 2014, 06:08 PM
http://www.premiumbeat.com/blog/nab-2014-introduci...
The Atomos Shogun brings 4K RAW recording to a sleek, easy-to-use 7" HD monitor.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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