It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 17, 2014, 06:56 PM
http://animationguildblog.blogspot.ca/2014/02/best...
Oh my. Here in the midst of awards season, we neglected to note...
February 17, 2014, 06:55 PM
http://soundandpicture.com/2014/02/cinema-audio-so...
Los Angeles, CA — February 17, 2014 — The Cinema Audio Society announced today that Doug McIntyre has been tapped to serve as host of the upcoming 50th CAS Awards.“I am a huge a fan of McIntyre In The Morning and I enjoy Doug’s sense of humor and perspective,” said CAS President David Fluhr. “I know he will keep our show moving with grace and humor”...
February 17, 2014, 09:46 AM
http://postperspective.com/framestore-takes-home-v...
London — Framestore has been awarded its second Special Visual Effects BAFTA, for its work Alfonso Cuarón’s Gravity. The film was celebrated with numerous awards, including one for Cuaron for Best Director, and Emmanuel Lubezki who won Best Cinematography. Gravity also won Outstanding British Film, Best Original Music and Best Sound. “It has been a great year for film […]The post Framestore takes home VFX BAFTA for work on Gravity appeared first on postPerspective - Randi Alt...
February 17, 2014, 09:45 AM
http://news.doddleme.com/blogs/post-production/ado...
Adobe is seeking to capture more of Apple’s video editing market, and this time it’s by getting users to try their new pocket video editor for the iPhone, Adobe VideoBite. And while this video editor has several really cool features, it also masks Adobe’s true intentions, to get you to pay for their Cloud storage and sharing service.
February 17, 2014, 07:35 AM
http://www.finalcutpro.es/2014/02/software-wireove...
En los últimos días hemos estado probando WireOver, una utilidad que permite enviar archivos a través de internet directamente de un ordenador a otro, sin subirlos en ningún momento a un servidor. Las ventajas de este sistema son principalmente dos. En primer lugar la velocidad, que solo depende de las conexiones de los usuarios y […]
February 17, 2014, 07:34 AM
http://www.fcp.co/final-cut-pro/tutorials/1348-wat...
We are a bit late picking up on this excellent video series, FilmmakerIQ runs through different cinema editing styles, technologies and the history behind them. Worth a watch just to see a crazed chimpanzee trying to edit film!
February 17, 2014, 07:34 AM
http://journaldunemonteuse.wordpress.com/2014/02/1...
J’ai récemment été interviewée par Nora Meziani, doctorante à Paris I et à l’ESCP, pour la préparation de son article sur l’intuition, l’analyse et la prise de décision dans la création des films. Il est vrai qu’en montage, on ne … Lire la suite →
February 17, 2014, 07:34 AM
http://music.tutsplus.com/articles/interview-with-...
I had the opportunity to chat with Tom Gilbert and David Johnston of Bristol sound design studio Echoic, who collaborated with Syndrome Studio to create the opening title and ident for Pause Fest 2014. Echoic are based in Bristol, and have an eclectic style that combines inventive processes and unusual instruments with a focus on collaboration between visual and sound design. | Tags: Sound Design, Logic Pro, Ableton Live
February 17, 2014, 07:31 AM
http://jeffvlog.wordpress.com/2014/02/17/plug-in-r...
Gone are the days of tedious rotoscoping...
February 17, 2014, 07:31 AM
http://www.artofvfx.com/?p=6061
BAFTA 2014: The Special Visual Effects award
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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