It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 4, 2014, 08:16 PM
http://www.cinema5d.com/news/?p=23208
Lav mics (or lavalier or lapel, take your pick) are a very popular tool in filmmaking. Their small form factor enables you to get into discreet positions, mostly used for positioning on your talent.
February 4, 2014, 01:52 PM
http://www.tomcruise.com/blog/2013/10/29/how-to-be...
The #Aspiring2ActWriteDirect Series: Aspiring Foley Artist Guide The TomCruise.com team welcomes your comments, feedback and suggestions, especially if
February 4, 2014, 01:52 PM
http://blog.dolby.com/2014/02/working-backstage-os...
For actors and filmmakers nominated for an Academy Award®, the Oscars® ceremony brings moments of high tension as the presenters introduce their category, fumble with the envelope, and finally announce a winner. But for the sound crew that works the show at the Dolby Theatre—as Dolby’s Steve Venezia has for 12 years—the whole night is filled with tension, as he listens for glitchy microphones, too-long speeches, unpredictable hosts, and even the occasional profanity during one of the mos...
February 4, 2014, 01:51 PM
http://www.hollywoodreporter.com/behind-screen/ace...
American Cinema Editors’ Eddie Awards — which will be handed out Feb. 7 at the Beverly Hilton—has proved to be a quite reliable Oscar bellwether. In fact, in nine of the past 10 years, the winner of the best edited dramatic feature Eddie has gone on to win the Oscar in editing. Additionally, in six of the past 10 years the winner in the ACE category for best edited dramatic or comedy/musical feature went on to win the Oscar for best picture.
February 4, 2014, 05:47 AM
http://www.firstshowing.net/2014/post-nomination-p...
With the Oscar nominations set in stone (save for one retraction), it's time for some new predictions! Obviously, my final set of predictions from January
February 4, 2014, 05:47 AM
http://www.fxguide.com/featured/3-of-the-best-the-...
It was the most watched Super Bowl ever – with 111.5 million viewers – and the 2014 event’s ads received not only high exposure during the game but also online. We break down three of the most popular commercials for Kia, AAA and Audi, and the visual effects teams from Digital Domain, MPC and The Mill who were behind them.
February 4, 2014, 05:46 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“...but the nurse film was more successful than the motorcycle film. It was a very simple decision at that point to make another nurse film.” — Producer/Director Roger Corman, Bright Lights, 1975 ...
February 3, 2014, 02:49 PM
http://prmac.com/release-id-65184.htm
prMac is a free press release distribution service aimed at enhancing the visibility of press releases in the Mac world. With a Publish Once, Broadcast Many philosophy, we offer world-wide agency distribution services as well as top-notch RSS feeds.
February 3, 2014, 11:14 AM
http://designingsound.org/2014/02/as-bobby-darin-s...
We use animal sounds all the time in sound design. Whether it be the twenty some-odd creatures that went into the sound of the Velociraptor in Jurassic Park, or the Elephant bray used in the destruction of the Titanic, they seem to find their way into every situation…sooner or later. This month, we’ve decided to take a look at the recording and design of animal…and creature…sounds.
February 3, 2014, 05:54 AM
http://wolfcrow.com/blog/how-to-estimate-your-hour...
So you decided to get up on your horse and point your lance in the right direction, eh? I bet the second most troubling question you have is: ”How much should I charge?” (The first is: “Where do I find clients?”)
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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