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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Cutters New York adds spot editor Alison Grasso

January 4, 2019, 10:54 AM

https://postperspective.com/cutters-new-york-adds-...

Cutters Studios in New York has added is commercial editor Alison Grasso to its staff. Previously a staff editor for Crew Cuts in New York, Grasso started her commercial career with the company immediately upon graduation from NYU (BFA, Film and Television Production). She has experience in documentary-style visual storytelling, beauty and fashion and has collaborated with brands such as Garnier, Continue reading → January 4, 2019 The post Cutters New York adds spot editor Alison Grass...

New stunning ‘First Man’ VFX featurette

January 4, 2019, 06:48 AM

https://vfxblog.com/2019/01/03/new-stunning-first-...

Just in time for the VFX bake-off, Universal has released a First Man VFX reel featuring the practical, miniature and digital effects work for the film...

This is Not Goodbye…

January 2, 2019, 10:16 AM

http://designingsound.org/2019/01/02/this-is-not-g...

Jack and I couldn’t shift the site into archive/hibernation mode without putting together one last post. When we announced the decision, we heard from so many in the community about what the site has meant to you over the years. We hope you’ll forgive a little self-indulgence as we look back on what the site […]

Behind the Title: DigitalFilm Tree colorist Dan Ju

January 1, 2019, 07:58 AM

https://postperspective.com/behind-the-title-digit...

NAME: Colorist Dan Judy COMPANY: DigitalFilm Tree (DFT) CAN YOU DESCRIBE YOUR COMPANY? DFT provides cloud post services and software that evolve file-based workflows, simplify the creative process, and dramatically reduce production cost. AS A COLORIST, WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading → December 31, 2018 The post Behind the Title: DigitalFilm Tree colorist Dan Judy appeared first on Randi Altman's postPerspective.

Reflections

December 31, 2018, 06:22 AM

https://digitalfilms.wordpress.com/2018/12/30/refl...

The 2018 Christmas, Hanukkah, and New Year season is wrapping up as 2019 blasts in with new wonders, advances, and challenges. It’s this time of year when we can take a moment to look back. That gives me a chance to check out the stats on this blog – to thank the readers who have […]

Our Favorite Sounds of 2018

December 31, 2018, 06:21 AM

http://designingsound.org/2018/12/31/our-favorite-...

The year 2018 has been one of many great articles, interviews, and discussions here at Designing Sound and we want to thank all of our readers for their attention, suggestions, contributions, and overwhelming support throughout the year(s). There have been so many great films, shows, games, and events in 2018 that we thought we would share some of […]

Plummy Tucker, ACE on editing Destroyer

December 29, 2018, 08:10 PM

https://www.provideocoalition.com/aotc-tucker

Plummy Tucker, ACE, has edited films including Girl Fight, Aeon Flux, Jennifer’s Body, and The Invitation. She was nominated for two Emmy’s in 2011 for Client 9: The Rise and Fall of Eliot Spitzer and Too Big to Fail.

The ten best films of … 1928

December 28, 2018, 01:10 PM

http://www.davidbordwell.net/blog/2018/12/28/the-t...

La passion de Jeanne d’Arc Kristin here: Time for our twelfth annual alternative to the usual list of the ten best films of the current year. Instead, I offer a list from 90 years ago, in part for fun and in part to call attention to some lesser-known classics that are worth discovering. (See here […]

This Is Not A Train: An exploration of meaning, em

December 27, 2018, 08:04 AM

http://designingsound.org/2018/12/26/this-is-not-a...

This is a guest contribution by Carlos Manrique Clavijo. Carlos Manrique Clavijo is a Colombian/Australian sound editor/sound designer and animation producer based in South Australia. He’s worked on award winning fiction, documentary and predominantly, animation from 2002. With Ana María Méndez, he is the co-founder of animation company, KaruKaru. Carlos has taught film sound design, […]

*Chaco*, por Marcela Truglio (SAE)

December 26, 2018, 08:51 AM

http://saeditores.org/Novedades/Chaco-por-Marcela-...

Una síntesis personal de la edición por sus artífices

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