It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 27, 2014, 11:10 AM
http://www.btlnews.com/crafts/post-production/hers...
With the ubiquitous nature of the digital toolbox, smaller-budgeted films are now melding the previously separated crafts of production design, visual effects and picture editing. Case in point is the current sci-fi love story Her, in which all aforementioned skill areas were implemented in conjunction to fabricate the illusion of a vaguely futuristic Los Angeles. Longtime postproduction supervisor Peter Mavromates served as Her’s visual effects producer.
January 27, 2014, 11:09 AM
http://fxfactory.com/info/frostyglass/
FrostyGlass is a set of eight fully customizable plugins for FCP X that will enhance your project by simulating the effect of glass distortions. FxFactory is a revolutionary visual effects architecture powering hundreds of plug-ins for Final Cut Pro, Motion, Premiere Pro and After Effects. http://fxfactory.com
January 27, 2014, 11:09 AM
http://www.premiumbeat.com/blog/video-tutorial-rol...
In this video tutorial we share a workflow for creating a unique rolling title animation in After Effects.
January 27, 2014, 06:01 AM
http://www.stevenbenedict.ie/2014/01/12-years-slav...
Hans Zimmer has over 150 feature films to his CV, many of which are large-scale action-adventure blockbusters; Armageddon, The Dark Knight and the sequels to Pirates of the Caribbean. All together the films on which Zimmer has served as composer have grossed in over $21b worldwide.
January 27, 2014, 05:59 AM
http://provideocoalition.com/wwoodhall/story/tips-...
In the spirit of the New Year and of making the most out of the potential of another circle around the sun, I wanted to take a closer look at the ethics and attitudes of those people in our business who work and seem to work all the time. Some employees just have a sense about not only doing...
January 27, 2014, 05:59 AM
http://www.borisfx.com/borisfxnews/2014/01/27/12-o...
With awards season well underway, get your own set of 20 Hollywood style title templates for Adobe After Effects – full of lens flares, shattering particles, glows, and glints. Change the text and/or fonts and you’re done. For a limited-time, … Continue reading →
January 27, 2014, 05:57 AM
http://www.toolfarm.com/blog/entry/new_sugarfx_fro...
Had a chance to check out Frosty Glass, SUGARfx’s newest plug-in for FCPX? It’s a set of eight fully customizable plugins for FCP X that will enhance your project by simulating the effect of glass distortions.
January 26, 2014, 01:55 PM
http://provideocoalition.com/atepper/story/vimeo-u...
According to Vimeo, its brand-new audio/video player is the product of 14 months of development, and has been redesigned from scratch. It is faster, more accessible, and has a few more features that make me like Vimeo (and Vimeo Pro) even more than before (and this is not a sponsored article). Details ahead.
January 25, 2014, 02:53 PM
http://editorunderconstruction.blogspot.com/2014/0...
Primeira resenha de filmes que faço em Brasil -porém tem muitos erros gramaticais-, para a ótima disciplina "Cinema e Narratividade":Resenha sobre Tout va bien e Letter to Jane, do Grupo Dziga Vertov.AMORPara que esta resenha cinematográfica seja lida, compreendida e tenha algo de interesse, vou precisar de uma série de elementos (não) convencionais. Precisarei dum diretor reconhecido. TUDO VA BEM. Precisarei de atores famosos também, estrelas. TUDO VA BEM. Precisarei duma caneta, cla...
January 25, 2014, 02:51 PM
http://www.cinema5d.com/news/?p=22991
Shooting flat has huge advantages; it preserves maximum information for post production. However, shooting like this can make monitoring more difficult. It can be tricky to gauge color and exposure. It can be difficult for critical focus and focus aids such as peaking also, as there’s less contrast in the frame to work with. It can also be disconcerting for an on-site client; having to constantly explain “it won’t look like this in post, honest”.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.