It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 19, 2014, 01:39 PM
http://provideocoalition.com/adobe/story/graham-el...
Growing up, Graham Elliott desperately wanted to become a pilot and devoted himself to learning about flight. At 17 he received a scholarship to the RAF in London and within a week he was flying solo. Although Elliott ultimately decided he didn’t want to be in the Air Force, he took away...
February 19, 2014, 01:38 PM
https://www.videoguys.com/Blog/E/Grass+Valley+ADVC...
There are two universal problems in the live events market where IMAG (image magnification) is used to supplement the live action onstage. The first is the seemingly inevitable lip-sync delay caused by system latencies between the lenses of the cameras and the final output on the projection screens. This is especially true of smaller systems depending on a switcher/scalar/synchronizer device to connect together all the video components. The second is the long-term reliability, and short-te
February 19, 2014, 05:41 AM
http://logic-pro-expert.com/logic-pro-blog/2014/02...
This Logic Pro X skin may put a smile on the face of Minimoog fans, even though it's one of the few paid skins out there.
February 18, 2014, 05:57 PM
http://news.doddleme.com/equipment/3d-printing-is-...
As American Cinema has continued to go deeper into its relationship with visual effects, practical effects have taken a more and more of a back seat. This was true when Phil Tippett realized on Jurassic Park that he was out of a job and had to evolve, and it’s true today as more of the cinematic experience gets put into the computer and manipulated. But thanks to 3D Printing, practical effects have a rebirth, and by working hand-in-hand with CGI, it can make a shot look far more believable.
February 18, 2014, 10:51 AM
http://www.premiumbeat.com/blog/video-production-c...
Add impactful flare to your video shots using a simple homemade solution. In this post, we share a video tutorial that shows just how easy it is.
February 17, 2014, 12:43 PM
http://fxfactory.com/info/bristol/
Animatable motion graphics theme. FxFactory is a revolutionary visual effects architecture powering hundreds of plug-ins for Final Cut Pro, Motion, Premiere Pro and After Effects. http://fxfactory.com
February 17, 2014, 12:43 PM
http://www.premiumbeat.com/blog/using-32-bit-color...
Use the 32-bit color setting in After Effects for more than just color grading. We share a trick for getting brighter than white color using 32-bit and experiment with it to create unique effects!
February 17, 2014, 12:43 PM
http://photo.it-enquirer.com/2014/02/stabilising-v...
How do you stabilise footage that’s been shot with a handheld camera or a badly performing stabilising system? With the Stabilisation module of Final Cut Pro X? Except for a heavy tripod, you will never be able to lock out unwanted camera movement, common knowledge predicts. But I found you can do better than with the built-in stabilisers of most NLEs. There’s a plug-in that does a great job at stabilising in post-production.
February 14, 2014, 01:34 PM
http://www.digitalproductionbuzz.com/2014/02/trans...
Digital Production Buzz February 13, 2014 [Transcripts provided by Take 1 Transcription] [Click here to listen to this show.] HOSTS Larry Jordan GUESTS Sam Mestman, CEO, FCPWorks Mike Timm, Filmmaker, Thug in Love Jared van Fleet, Communications & Business Development, Pond 5 Philip Hodgetts, President, Intelligent Assistance Frank Morrone, President, Motion Picture Sound Editors === Voiceover: This Digital Production Buzz is brought to you by Blackmagic Design, creators of the world’s hi...
February 14, 2014, 01:33 PM
http://provideocoalition.com/atepper/story/ipad-vi...
Back in 2012, I wrote about many editors’ frustration about iPad video editing apps that (back then) unfortunately did not respect alpha channel in logos they imported, to allow for translucency. Most producer/editors I know who edit 1080p video capsules for the web demand this capability, especially for their lower thirds. For many, this issue has been the only reason they have continued to use a laptop to edit video. This has now changed. For those editors and organizations, this change ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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